The Bigger Picture: Visual Archives and the Smithsonian
- October is here and with it comes American Archives Month! [via Smithsonian Collections Blog]
- At the National Musem of American History - Three new collections that represent Latinas from Los Angeles, California. [via O Say Can You See? blog, NMAH]
- Aspiring artist? The National Portrait Gallery's Teen Portrait Contest runs through the end of October, so turn in your submissions today! [via NPG]
- You may have heard, but scientists have discovered the presence of water on Mars! [via AirSpace blog, NASM]
- Out this week - The Federal Crowdsourcing and Citizen Science Toolkit, a "tool that provides information and resources to help federal agencies use the power of public participation to help solve scientific and societal problems." [via NARAtions blog, NARA]
- A new exhibit at Throckmorton Fine Art in New York, Mexican Photography: Women Pioneers I, presents black-and-white images from some of Mexico’s most celebrated female photographers. [via Lens, NYT]
- For fans of DC - A video visualizing early Washington, DC. [via Ghosts of DC]
On the morning of Tuesday, October 6, 2015, the Nobel Foundation will announce the latest recipient (or recipients) of the prize in physics. In honor of that occasion, the Smithsonian Institution Archives presents a previously unpublished photograph of two famous Nobel laureates: Hendrik Antoon Lorentz (1853-1928) and Albert Einstein (1879-1955).
Science Service journalist Watson Davis photographed the two physicists on July 19, 1926, in Geneva, Switzerland, at a meeting of a League of Nations committee. Davis was attending the meeting along with biologist Vernon Lyman Kellogg, permanent secretary of the National Research Council, to present “The Establishment and International Cooperation of National Organizations for the Popularization of Science and Other Intellectual Endeavors,” a report that promoted Science Service as the ideal model for such efforts.
Lorentz and Einstein had known each other for many years. The Nobel Prize in Physics had been awarded jointly to Lorentz and Pieter Zeeman in 1902 in recognition of their research into the influence of magnetism upon radiation phenomena. Einstein received the same award in 1922 for his work in theoretical physics, and on the photoelectric effect.
In July 1926, the two physicists were part of the elite Committee on Intellectual Cooperation, attempting to strengthen international knowledge networks after World War I. Lorentz co-chaired the committee with George Gilbert Aimé Murray, Professor of Greek at Oxford University. Other members included Einstein, Nobel laureates Marie Curie (who received Nobel prizes in 1903 and 1911) and Robert Andrews Millikan (awarded a Nobel in 1923), Norwegian biologist Kristine Elisabeth Heuch Bonnevie, and French political leader Paul Painlevé.
Davis photographed a few other participants in the meeting that day but none so famous as Einstein, sharing an informal moment outside with a fellow laureate.
- Science Service, Up Close blog post series, The Bigger Picture blog, Smithsonian Institution Archives
- The Life Behind the Photograph, The Bigger Picture blog, Smithsonian Institution Archives
- "Why Albert Einstein, the Genius Behind the Theory of Relativity, Loved His Pipe," Smithsonian Magazine
- Nobel Prize
When I began doing oral history interviews at the Smithsonian in 1974, I went to see Louise Daniel Hutchinson (1928-2014) of the Anacostia Neighborhood Museum, now the Anacostia Community Museum (ACM). She was a pioneer in community oral history and experimented with new media, such as video, that captured settings and body language. She maintained the highest standards of scholarship at the same time that she welcomed the inexperienced, those outside the ivy-covered walls of academe. Her dedication to African American history was infectious, and she had a major effect on the development of the Anacostia Museum.
Born in 1928 in Ridge, Maryland, Hutchinson’s parents were teachers and civil rights activists in the District of Columbia. As a college student, she sat-in at lunch counters and attended the arguments for Brown vs. the Board of Education of Topeka, Kansas. She received her B.A. from Howard University in 1951 and pursued graduate studies in sociology. She married Ellsworth W. Hutchinson, Jr., and worked as a substitute teacher as they raised six children. After the assassination of Martin Luther King, Jr., Hutchinson reassessed her life and decided she had to make more major contributions to improve the world for her children. As she was looking for an outlet, she was asked to take on an education project at the National Portrait Gallery that would focus on working with the District of Columbia public schools. So in 1971 she became a researcher at the Portrait Gallery, working on the African American portraiture of William Harmon and Winold Reiss, with a goal of linking to the local community. She also contributed to the exhibit The Black Presence in the Era of the American Revolution while creating a solid program of educational activities.
By that time, the Smithsonian was beginning to change a bit. Secretary S. Dillon Ripley had created the Anacostia Neighborhood Museum in 1967 to reach out to the local African American communities that rarely visited the Mall museums. Community activist John Kinard was named director, and he brought Hutchinson to the Museum in 1974 to direct its Research Center. She quickly began a series of dynamic programs that engaged the community. The museum was housed in an old movie theater which a cadre of volunteers helped convert to a museum. The Anacostia Historical Society grew under her watchful eye, and she created a research center where locals brought their treasured bibles and photographs for preservation.
Hutchinson curated several ground-breaking exhibits, such as The Anacostia Story: 1608-1930, Out of Africa: From West African Kingdoms to Colonization, and Black Women: Achievements Against the Odds. Meticulously researched, they were accompanied by books that made this history available to a broader audience. Smithsonian administrators had viewed the Anacostia site as a temporary exhibit venue to attract visitors to the Mall, not an actual museum. Hutchinson worked hard to redefine the museum's mission and eventually succeeded "against the odds" in making it a full scale museum. But she and her colleagues had to overcome significant inertia and even opposition on the Mall. The museum's Research Center collected a wealth of materials on African American history, including interviews of community members. She ensured that the contributions of the Anacostia and wider African American community were recognized in the historical record, and then shared that information with K-12 teachers and their students, community members, scholars and college students alike. She also rewrote Smithsonian history with her book, Kind Regards of S. G. Brown, on Professor Solomon Brown, the first African American employee at the Smithsonian who spent 54 years at the Institution.
Hutchinson was always busy, but never too busy to mentor younger folks who needed guidance. Always generous with her time and expertise, Hutchinson placed the Anacostia Community Museum on a firm foundation and developed a cadre of young people to carry her work forward.
Please listen to the following audio clips from the oral history interviews with Louise Daniel Hutchinson:
- Louise Hutchinson on the impact of the Martin Luther King , Jr. assassination on her work.
- Louise Hutchinson on working against all odds.
- Solomon Brown: First African American Employee at the Smithsonian Institution, online exhibition, Smithsonian Institution Archives
- Eminent scholar leaves lasting legacy, East of the River DC News
- Record Unit 9588: Oral history interviews with Louise Daniel Hutchinson, 1987, Smithsonian Institution Archives
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