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The Bigger Picture: Visual Archives and the Smithsonian

Posts tagged with: Cities/Places

"If you feed them, they will come."

by Ellen Alers on May 23, 2013

Moonwatch Volunteers, 1965, by Unknown, 1965, Smithsonian Archives - History Div, 96-960.The Reference team gets more than 5000 – yes, thousand – inquiries per year.  They come from all over the world and cover everything from soup to nuts.  I’ll save the nuts for another post, and focus on the soup or, more specifically, tea and how refreshments are vital to a successful volunteer effort.

One of our perennial topics of interest is, Operation Moonwatch.  Moonwatch was initiated in 1958 by Dr. Fred Whipple at the Harvard-Smithsonian Astrophysical Observatory during the International Geophysical Year (IGY). 

Operation Moonwatch created an international network of dedicated and enthusiastic volunteer sky-watchers of both genders (women made up about a third of all observers) and from every walk-of-life.  These citizen-scientists joined professional astronomers to track and report on satellites travelling through the night sky.  Often we hear from old "Moonwatchers" or, increasingly, genealogists that have learned through family lore or old paperwork about a relative's participation in the project and are eager to learn more.

Operation Moonwatch in Philippines, by Unknown, Smithsonian Archives - History Div, 96-1369.Recently I received an email from Greg Roberts of Johannesburg, South Africa, a former Moonwatcher who had been corresponding with some of his fellow observers.  Greg wanted to track down details on several South African observation teams operating out of Johannesburg and Blomenfontein.  Luckily we have great records documenting the Moonwatch program in Record Unit 255 where I could find what he was looking for.

The report from the Blomenfontein observation station, on Naval Hill near the old Lamont-Hussey Observatory, was detailed and complete.  It also included photographs of the observational set-up and drawings diagramming the layout of the entire observation station.  What I enjoyed best, though, were the detailed organizational lists.  These provided names of volunteers, their occupations, tasks and responsibilities and descriptions of nightly activities.

Operation Moonwatch Event, Biloxi, Mississippi, by Unknown, c. 1958, Smithsonian Archives - History Div, 91-6389.As I read through the report's detailed description of the locality and how well-suited it was to the task, it became clear that the proximity of the telescopes to the canteen – and its' "pepping-up" the volunteers – made the whole arrangement "most satisfactory" for all involved. 

That made me smile, but I don't think you'd see that sort of personal touch in reports covering a partnership like Moonwatch today.  And that's too bad.  I mean, what a great recruiting tool – a night out, under the stars with others who share a common interest and cake, too.  Heck, I'm all over that!

For more information about Operation Moonwatch, check out, Keep Watching the Skies: The Story of Operation Moonwatch and the Dawn of the Space Age by Patrick McCray.  Dr. McCray made extensive use of Record Unit 255 for this book.

Related Collections

  • Record Unit 255 - Smithsonian Astrophysical Observatory Moonwatch Division, Records, 1956-1975, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: Science, Cities/Places, Archive
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Twenty-Six and Blooming!

by Kira M. Cherrix on May 22, 2013

On this day in 1987, the Enid A. Haupt Garden, named for the American philanthropist and publisher, officially opened to the public. The Haupt garden, which is located adjacent to the Smithsonian Institution Building, sits above a three-story underground complex, known as the Quad, that includes the National Museum of African Art, the Arthur M. Sackler Gallery, and the S. Dillon Ripley Center.  A few times a year, the colorful flowers displayed in the garden are changed to reflect the foliage currently in bloom.

Click through the slideshow for photos of construction of the Quad and the Enid A. Haupt Garden!

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Two engineers from the Law Engineering Testing Company conduct a soil boring to obtain samples necessary to plans for the construction of the Quadrangle Building in the South Yard behind the Smithsonian Institution Building, 1979, by Richard K. Hofmesiter, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 79-3471-8.

Boring Samples in the Victorian Garden


Two engineers from the Law Engineering Testing Company conduct a soil boring to obtain samples necessary to plans for the construction of the Quadrangle Building in the South Yard behind the Smithsonian Institution Building, 1979, by Richard K. Hofmesiter, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 79-3471-8.

A photograph of the model of the Quadrangle, a complex of buildings that contain the Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, and the South Yard behind the Smithsonian Institution Building, or "Castle," and the Arts and Industries Building, c. 1979, color photographic print, Accession 09-161 - Office of Facilities Services, Project Files, 1965-1984, Smithsonian Institution Archives, Neg. no. SIA2011-1345.

Model of the Quadrangle Viewed from the Southwest


A photograph of the model of the Quadrangle, a complex of buildings that contain the Sackler Gallery, National Museum of African Art, S. Dillon Ripley Center, and the South Yard behind the Smithsonian Institution Building, or "Castle," and the Arts and Industries Building, c. 1979, color photographic print, Accession 09-161 - Office of Facilities Services, Project Files, 1965-1984, Smithsonian Institution Archives, Neg. no. SIA2011-1345.

Trucks are hauling dirt from the construction site in preparation for the Smithsonian Institution's $73.2 million underground complex on the Quad which includes the National Museum of African Art, the Arthur M. Sackler Gallery, and a circular kiosk to the S. Dillon Ripley International Center, c. 1984, by Jeffrey Ploskonka, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 2004-4100

Trucks Haul Dirt for Quad Construction


Trucks are hauling dirt from the construction site in preparation for the Smithsonian Institution's $73.2 million underground complex on the Quad which includes the National Museum of African Art, the Arthur M. Sackler Gallery, and a circular kiosk to the S. Dillon Ripley International Center, c. 1984, by Jeffrey Ploskonka, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 2004-4100

Looking down from the tallest tower of the Smithsonian Institution Building towards Independence Avenue, view is of the Quadrangle (South Yard) construction site, 1984, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. SIA2011-1329.

Quadrangle Construction


Looking down from the tallest tower of the Smithsonian Institution Building towards Independence Avenue, view is of the Quadrangle (South Yard) construction site, 1984, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. SIA2011-1329.

Eighth Smithsonian Secretary (1964-1984) S. Dillon Ripley (1913-2001) inspecting construction at the Quadrangle building site with (from l.), Charles Blitzer, Arthur M. Sackler, founding donor of the Arthur M. Sackler Gallery, Jill Sackler, and Mary Livingston Ripley, 1984, by Kim Nielsen, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 2004-10339.

Secretary Ripley at Quad Construction


Eighth Smithsonian Secretary (1964-1984) S. Dillon Ripley (1913-2001) inspecting construction at the Quadrangle building site with (from l.), Charles Blitzer, Arthur M. Sackler, founding donor of the Arthur M. Sackler Gallery, Jill Sackler, and Mary Livingston Ripley, 1984, by Kim Nielsen, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 2004-10339.

On October 15, 1984 (c. 8:30 a.m.), a thick, black smoke surrounded the Smithsonian Institution Building. It was caused by a fire in a tar-melting machine in the bottom of the Quad construction pit., 1984, by Mark Avino, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 84-11864-12A.

Fire at the Quad Construction Site


On October 15, 1984 (c. 8:30 a.m.), a thick, black smoke surrounded the Smithsonian Institution Building. It was caused by a fire in a tar-melting machine in the bottom of the Quad construction pit., 1984, by Mark Avino, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 84-11864-12A.

One of the first eight trees (lindens and magnolias) for the Enid Haupt Garden at the Quadrangle site being unloaded by crane on November 20, 1985., by Eric Long, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-17668-8A.

Moving Magnolia Trees for Haupt Garden


One of the first eight trees (lindens and magnolias) for the Enid Haupt Garden at the Quadrangle site being unloaded by crane on November 20, 1985., by Eric Long, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-17668-8A.

Looking from the Independence Avenue side of the Quad construction. The floor will eventually be the roof of a 10,000 square foot, two-story high exhibit gallery, 1985, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-6242-28.

Quad Construction


Looking from the Independence Avenue side of the Quad construction. The floor will eventually be the roof of a 10,000 square foot, two-story high exhibit gallery, 1985, by Jeff Tinsley, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 85-6242-28.

At the end of the three-story high concourse in the Smithsonian Institution's underground complex is an illusionist mural by Richard Haas, 1987, by Robert Lautman, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-6702.

Mural Located End of Quadrangle Concourse


At the end of the three-story high concourse in the Smithsonian Institution's underground complex is an illusionist mural by Richard Haas, 1987, by Robert Lautman, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-6702.

View of Arthur M. Sackler Gallery pavilion with pyramided roof located at the Smithsonian Institution in the four-acre Enid A. Haupt Garden, formerly known as the South Yard, 1987, by Jeff Tinsley, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-7964-23.

Aerial View of Arthur M. Sackler Pavilion


View of Arthur M. Sackler Gallery pavilion with pyramided roof located at the Smithsonian Institution in the four-acre Enid A. Haupt Garden, formerly known as the South Yard, 1987, by Jeff Tinsley, black-and-white photographic print, Record Unit 410 - Office of Public Affairs, Publicity Records, circa 1965-1974, 1987, Smithsonian Institution Archives, Neg. no. 87-7964-23.

Enid A. Haupt (l.) and Lady Bird Johnson in the Enid A. Haupt Garden in the South Yard of the Castle, on their way to a celebration being held for Mrs. Johnson in the Arts and Industries Building, April 24, 1988, in honor of her 75th birthday., 1988, by Richard Strauss, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-8669-12.

Enid A. Haupt and Lady Bird Johnson


Enid A. Haupt (l.) and Lady Bird Johnson in the Enid A. Haupt Garden in the South Yard of the Castle, on their way to a celebration being held for Mrs. Johnson in the Arts and Industries Building, April 24, 1988, in honor of her 75th birthday., 1988, by Richard Strauss, black-and-white photographic print, Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-8669-12.

The Smithsonian Institution Building or "Castle's" south entrance, viewed from Independence Avenue. The Enid A. Haupt Garden in the South Yard welcomes visitors through the gates, 1990, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 90-6258.

Smithsonian Institution Building


The Smithsonian Institution Building or "Castle's" south entrance, viewed from Independence Avenue. The Enid A. Haupt Garden in the South Yard welcomes visitors through the gates, 1990, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 90-6258.

Smithsonian Secretary S. Dillon Ripley sitting on roof of building across from South Yard, 1987, color photographic print, Record Unit 7008 - Sidney Dillon Ripley Papers, 1913-1993, Smithsonian Institution Archives, Neg. no. SIA2007-0157.

S. Dillon Ripley Views Quadrangle


Smithsonian Secretary S. Dillon Ripley sitting on roof of building across from South Yard, 1987, color photographic print, Record Unit 7008 - Sidney Dillon Ripley Papers, 1913-1993, Smithsonian Institution Archives, Neg. no. SIA2007-0157.

Aerial view from the southwest of the Smithsonian Institution Building, Freer Gallery of Art, Arthur M. Sackler Gallery, National Museum of African Art, Arts and Industries Building and Enid A. Haupt Garden, 1993, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 2002-724.

Aerial View of Quadrangle


Aerial view from the southwest of the Smithsonian Institution Building, Freer Gallery of Art, Arthur M. Sackler Gallery, National Museum of African Art, Arts and Industries Building and Enid A. Haupt Garden, 1993, by Jeff Tinsley, color photographic print, Accession 11-009 - Smithsonian Photographic Services, Photographic Collection, 1971-2006, Smithsonian Institution Archives, Neg. no. 2002-724.

Related Resources

  • Enid A. Haupt, Wikipedia
  • Enid A. Haupt Garden Opens, Smithsonian Institution Archives
Categories: Smithsonian History
Tags: Cities/Places, Archive
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All comments are moderated and subject to approval. Further information is available in The Bigger Picture’s Commenting Guidelines.

Weird and Wonderful: The Surprising Mrs. Hilda Hempl Heller

by Rudi Bracaglia, Volunteer, Collections Care Division on May 16, 2013

Hilda Hempl Heller, by Watson Davis, 1924, Accession 90-105 - Science Service, Records, 1920s-1970s, Smithsonian Institution Archives. Neg. no. SIA2008-3769.As an archival student and volunteer, I have been very fortunate to be able to work with the collections at the Smithsonian Institution Archives.  My favorite project so far has been the rehousing and cataloging of the Watson Davis Papers (Accession 13-197, Smithsonian Institution Archives). This collection serves as a fascinating kaleidoscope of scientific information as well as a window into the lives of his many friends and colleagues.  I would like to share with you the story of one particular woman who corresponded a great deal with Watson Davis and his wife, Helen Miles Davis, as she journeyed into the wilds of Peru in pursuit of her scientific career. 

Letter from Hilda Heller to Watson Davis, May 7, 1953. Accession 13-197 - Watson Davis Papers, Smithsonian Institution Archives. Neg. nos. SIA2013-05505 to SIA2013-05508.Hilda Hempl Heller, being one of the few female scientists of the time, lived and worked with much enthusiasm and aplomb, characteristics she shared with the Davis’ and the Science Service community. Her story inspired me because despite the limited access women had to higher education and the scientific field at the time, Heller succeeded and excelled in both. She did not subscribe to the societal norms of what a woman's role should be, but rather forged her own path. Heller is an exceptional example of a person who did not merely see life as it should be, but instead was a person who saw that life held enormous possibilities so long as you were open to the challenge.

According to her unpublished autobiography found in the Watson Davis Papers, Hilda Hempl Heller was born in 1891 in Ann Arbor, Michigan, to George Hempl, a professor of philosophy. She studied biology at Stanford University, with a focus on zoology and bacteriology. She went on to study at the University of Michigan, where she spent two years during World War I, traveling as a research fellow in Copenhagen, London, Algiers, and Paris, and finally got her doctorate in 1920 under Dr. Karl F. Meyer at the University of California.

Andean Geese in Peru, by Hilda Heller. Accession 13-197 - Watson Davis Papers, Smithsonian Institution Archives. Neg. no. SIA2013-05509.In 1918, she married Edmund Heller, a prolific naturalist who was made famous working as the field scientist for Colonel Theodore Roosevelt on his hunting expeditions throughout Africa and various parts of the world.  Between 1921 and 1926, Heller accompanied her husband three times on these expeditions where she participated in the study of the big game animals of Yellowstone Park, a mammal collecting expedition to central Peru, and down the Amazon River. After divorcing her husband in 1949, she went on to pursue her own career by conducting field research in anthropology and natural history by returning to the wilderness of Peru. Her fond letters to Davis and his wife, Helen, detail the triumphs and failures she experienced while on her adventures, including the life and death of a peculiar residential penguin by the name of Poncho.Paulina Wearing a Bow Tie, by Hilda Heller. Accession 13-197 - Watson Davis Papers, Smithsonian Institution Archives. Neg. no. SIA2013-05510.

Hilda Hempl Heller, a woman possessed of a charming, vivacious personality and intelligence, challenged the stereotypical idea of a woman’s role in society during her lifetime.  However, the research and field books she may have  kept are not at the Smithsonian alongside those created by her husband. It may be that they are being processed or stored at another location. At this time, it is difficult to find information on this amazing woman outside of the Watson Davis Papers. There is a photograph collection at The Field Museum in Chicago, which contains images from her fieldwork and her husband's expeditions. Regardless of whether or not she was formally recognized for her contributions to the scientific field in her lifetime, Heller was a unique character who refused to live by the social status quo, and serves as an inspiration for women today and for future generations. 

Related Resources

  • Women in Science, Smithsonian Institution Archives
  • There Are Prizes . . . and There Are Winners, The Bigger Picture blog, Smithsonian Institution Archives
  • Where are Heller's Field Books, Field Book Project blog, National Museum of Natural History/Smithsonian Institution Archives

Related Collections

  • Record Unit 7179 - Edmund Heller Papers, circa 1898-1918, Smithsonian Institution Archives
Categories: Collections in Focus
Tags: Science, Cities/Places, Archive
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All comments are moderated and subject to approval. Further information is available in The Bigger Picture’s Commenting Guidelines.

Photo Sleuth: When the Evidence Doesn’t Add Up

by Pamela M. Henson on May 14, 2013

What is a researcher to do when the historic caption contradicts the information in the historic photograph?  Here at the Archives, we encounter this occasionally in our work and have to remember that sometimes people in the past made mistakes.  Just because something is written in beautiful 19th century penmanship doesn’t mean it is always correct.

Washington, D.C., April, 1865, by Mathew Brady Studio probably, 1863, photographic print, Smithsonian Institution Archives, Record Unit 95, Box 67, Folder 4, Negative number 2002-21691.

I encountered this issue recently when asked about the caption for an image of the Smithsonian Institution Building or Castle from the 1860s, probably taken by Mathew Brady's Studio.  There are several versions of this picture from slightly different angles and the picture is held by the Smithsonian Institution, the Library of Congress, and the National Archives, among other repositories.  In one of our two copies, there is a beautifully written caption, "Washington, D.C., April, 1865."  This lovely picture, with a sweeping view of the National Mall, shows the Smithsonian Castle at the center.  The view is looking east from what is now Independence Avenue, but was B Street at the time the photograph was taken.  A few houses along B Street, SW, can be seen to the right.  People are standing along B Street, with a fence between the street and the "Smithsonian Park," which had been landscaped according to a plan by landscape architect Andrew Jackson Downing.  The Castle is nestled among a stand of trees, far different than the stark flat Mall we know today.  The Smithsonian’s Magnetic Observatory can been seen within the trees.  The US Capitol is in the distance, with downtown Washington behind the Castle. 

So what could be wrong with that caption?  It looks like a Civil War era photograph?  However, several things about the buildings tell us it could not have been taken in April 1865.  The new dome is under construction on the Capitol – hard to see but just visible when enlarged.  The dome was built from 1855 to 1866 and would have been further along in 1865.  More important is the Castle itself.

Fire in the Smithsonian Institution Building, by Alexander Gardner, January 1865, photographic print with painting, Smithsonian Institution Archives, Record Unit 95, Box 30, Folder 9, Negative number MAH-37082.

In January of 1865, the Castle was damaged in a devastating fire and. We know from written reports that the roof over the center of the building collapsed, and the caps on the north towers were consumed in the flames.  A photograph taken shortly after the fire captures the damage.

The fire pictures are also inaccurate.  Photographer Alexander Gardner painted the flames into the photograph he took that day, and he put the flames in the wrong part of the building – set in the east wing, but the actual damage was more in the west wing and center of the building. 

The Harper’s Weekly image has the entire building consumed in flames, again inaccurate since the east wing did not sustain much damage. 

Going back to our original image, we now know that the Castle would not have had caps on the north towers in April of 1865, and the central roof was still under repair.  So we know that this image was taken prior to the caption written on the image, probably 1863.  Photo research requires us to compare and contrast the written with the image.  A report on the fire detailed  what parts of the building were damaged, refuting the fanciful images by Gardner and Harper’s Weekly.  Visual information in the first image provides evidence that the image was not taken in April 1865, no matter how carefully written the caption is.  While it may seem challenging, such detective work is often the most fun parts of our days, as we track down clues and convict the erroneous caption.

Related Collections

  • Record Unit 95 - Photograph Collection, 1850s- , Smithsonian Institution Archives
Categories: Collections in Focus
Tags: American History, Cities/Places, Archive, Photo History
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A Favorite - The Smithsonian Carousel

by Mitch Toda on April 11, 2013
Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Tomorrow marks the anniversay of a momentous occasion for children visiting the National Mall; on April 12, 1967, the Smithsonian Secretary S. Dillon Ripley opened a carousel in front of the Arts and Industries Building.  

Some people were concerned at the time that the carousel, along with popcorn wagons, outdoor puppet and musical performances, would lead to the Smithsonian becoming an "ivy-covered Disneyland" ("Some Fresh Air for the Nation's Attic," New York Times, April 9, 1967), but as we can see today, that did not happen.

The first carousel was a 1922 Denzel carousel that was accompanied by a 153 Wurlitzer Band Organ.  It is hard to imagine now, but at the time , rides were 25 cents (currently the cost is $3.50).

Due to wear and tear the carousel was replaced in 1981 with a carousel from Baltimore's Gwynn Oak Amusement Park.  This carousel is 10 feet larger in diameter and has 60 horses, as opposed to the former which had 33.  The carousel was built in 1947 by Allan Herschell Company.  The seemingly benign carousel however, has a rich history, best told in Amy Nathan's book, Round and Round Together: Taking a Merry-Go-Round Ride into the Civil Rights Movement.  Gwynn Oak Amusement Park was a segregated park and became integrated after a nearly decade-long effort in 1963.

The carousel continues to bring laughter and joy to those who ride it today, many of whom may not know of its place in history, but enjoy it nonetheless.

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Smithsonian Carousel on the National Mall, by Casey McAdams, Smithsonian Institution.

Smithsonian Carousel on the National Mall, by Casey McAdams, Smithsonian Institu


Smithsonian Carousel on the National Mall, by Casey McAdams, Smithsonian Institution.

To celebrate the 10th anniversary of the "Carousel on the Mall," S. Dillon Ripley cuts a cake shaped like a carousel for young visitors, April 12, 1977. The cake was made and decorated by Francine C. Berkowitz of the Foreign Currency Program.  Accession 97-003 - Office of Public Affairs, Photographs, 1965-1984, Smithsonian Institution Archives, Neg. no. 77-4393-9.

Secretary Ripley Cutting Carousel Anniversary Cake


To celebrate the 10th anniversary of the "Carousel on the Mall," S. Dillon Ripley cuts a cake shaped like a carousel for young visitors, April 12, 1977. The cake was made and decorated by Francine C. Berkowitz of the Foreign Currency Program. Accession 97-003 - Office of Public Affairs, Photographs, 1965-1984, Smithsonian Institution Archives, Neg. no. 77-4393-9.

A close up of the horses from the Baltimore's Gwynn Oak Park carousel which replaced the old Smithsonian carousel on the Mall in April 1981. The horses were built by the Allan Herschell Company of New York in 1947.  By Jeffery Ploskonka, 1981.  Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 81-3243-10.

Horses for the New Carousel on the Mall


A close up of the horses from the Baltimore's Gwynn Oak Park carousel which replaced the old Smithsonian carousel on the Mall in April 1981. The horses were built by the Allan Herschell Company of New York in 1947. By Jeffery Ploskonka, 1981. Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 81-3243-10.

Young visitors ride the carousel outside Arts & Industries Building at the Smithsonian.  By Laurie Minor-Penland, 1988. Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-11327-3.

Visitors on the Carousel


Young visitors ride the carousel outside Arts & Industries Building at the Smithsonian. By Laurie Minor-Penland, 1988. Record Unit 371 - Office of Public Affairs, The Torch, 1955-1960, 1965-1988, Smithsonian Institution Archives, Neg. no. 88-11327-3.

S. Dillon Ripley, eighth Secretary of the Smithsonian Institution, and unidentified children riding on the carousel in front of the Arts and Industries Building, 1977. Accession 97-003 - Office of Public Affairs, Photographs, 1965-1984, Smithsonian Institution Archives, Neg. no. 77-4394-24A.

Secretary S. Dillon Ripley on Carousel.


S. Dillon Ripley, eighth Secretary of the Smithsonian Institution, and unidentified children riding on the carousel in front of the Arts and Industries Building, 1977. Accession 97-003 - Office of Public Affairs, Photographs, 1965-1984, Smithsonian Institution Archives, Neg. no. 77-4394-24A.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.


Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.


Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.


Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.


Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.


Smithsonian Carousel on the National Mall, by Ken Rahaim, 2009.

Related Resources

  • Round and Round Together: Take a Merry-Go-Round Ride into the Civil Rights Movement, Amy Nathan
  • The Carousel on the National Mall, Washington Post
Categories: Smithsonian History
Tags: Cities/Places, Entertainment
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