Arthur M. Sackler Gallery

Aerial View of Arthur M. Sackler Pavilion, by Tinsley, Jeff, 1987, Smithsonian Archives - History Div, 87-7964-23 or 87-7964.23.
Aerial View of Arthur M. Sackler Pavilion
Secretary Ripley at Quad Construction, by Nielsen, Kim, 1984, Smithsonian Archives - History Div, 2004-10339.
Secretary Ripley at Quad Construction
Construction of Staircase in Sackler Gallery, by Tinsley, Jeff, 1985, Smithsonian Archives - History Div, 85-6243-9.
Construction of Staircase in Sackler Gallery
Ribbon Cutting Ceremony for AMSG & NMAfA, by Tinsley, Jeff, 1987, Smithsonian Archives - History Div, 87-13539-34 or 87-13539.34.
Ribbon Cutting Ceremony for AMSG & NMAfA

Overall View of the Quad, by Unknown, 1987, Smithsonian Archives - History Div, 87-10129-2 or 87-10129.02. The Arthur M. Sackler Gallery was founded in 1982 when Dr. Arthur M. Sackler (1913-1987), a New York research physician, publisher, and art connoisseur, donated approximately one thousand masterworks of Asian art and funds to construct a building to the Smithsonian Institution. Since the Gallery opened in 1987, the Sackler collection has expanded to include the Vever Collection, an important collection of the Islamic arts of the book from the 11th to the 19th century; 19th and 20th century Japanese prints and contemporary porcelain; Indian, Chinese, Japanese and Korean paintings; arts of village India; contemporary Chinese ceramics; and photography. The Sackler Gallery also compensates for the limits of Charles Lang Freer’s will by providing space for important loan exhibitions of Asian and Near Eastern art.

Groundbreaking for the Quadrangle, by Unknown, 1983, Smithsonian Archives - History Div, 83-6885-12 or 83-6885.12.On May 21, 1979, the US Congress passed legislation authorizing construction of a complex of museums and public spaces in the quadrangle behind the Smithsonian Institution Building, the Castle. On December 23, 1981, federal funding was approved, and combined with donations from Dr. Sackler and other benefactors. Ground was broken for the new Quadrangle Complex on June 21, 1983, and the Sackler Gallery opened to the public on September 28, 1987.

Sackler Pavilion, by Unknown, 1986, Smithsonian Archives - History Div, 86-14688-12A.The Quadrangle Complex houses the Arthur M. Sackler Gallery, as well as the National Museum of African Art and the S. Dillon Ripley International Center. The uniqueness of the complex is that 96 percent of it resides underground with the Enid A. Haupt Victorian Garden on its roof. The complex was designed by architect Jean Paul Carlhian of the Boston firm Shepley, Bulfinch, Richardson and Abbott. Carlhain carried out the concept of a linked underground complex of buildings. His design incorporated geometric forms which were meant to provide a contextual unity to the project with the existing Smithsonian buildings: the Smithsonian Institution Building, the Castle; the Arts and Industries Building; and the Freer Gallery of Art. The Arthur M. Sackler Gallery was placed adjacent to the Freer Gallery of Art, and decorated with triangular forms to reflect Islamic design motifs. The pink and gray granite reflects the colors of the Smithsonian Institution Building, the Arts and Industries Building, and the Freer Gallery of Art. The Sackler Gallery is entered through a 4,130 square foot granite pavilion located in the Enid A. Haupt Garden. The rest of the 115,000 square foot structure is built on three sky-lit levels extending 57 feet below ground. The Gallery contains 40,905 square feet of public space for exhibitions and public programs.

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U.S. National Museum Decorated for Garfield Inaugural Ball, by Unknown, 1881, Smithsonian Archives - History Div, MAH66045 or 66045.

March 4, 1881

The reception and ball to celebrate the inauguration of President James A. Garfield is held in the unfinished U.S. National Museum building, now the Arts and Industries Building. The Board of Regents authorizes use of the building with the stipulation that no precedent is to be given for the use of the building for other purposes. Under the direction of a citizens' committee, a temporary wooden floor is laid in each of the ground-level rooms, ten thousand bins for hats, coats, and wraps are erected, and some three thousand gas burners are introduced. For the occasion, two electric lights are suspended in the Rotunda and several are erected outside along with calcium lights throughout the grounds. About seven thousand people attend the celebration.More

Did you know...

That Dr. Arthur M. Sackler donated over one thousand works of Asian and Near Eastern art to found the Gallery?

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