Description: [caption id="" align="aligncenter" width="350" caption="Fingers typing, by Simon Steiner, Creative Commons: Attribution 2.0."] [/caption] You know that sinking, then maddening feeling: you need to find something you’ve carefully put away, but can’t remember where you’ve stored it or how you characterized or labeled it. That common problem, when it’s blown up to institutional
Description: This is the latest post in our series on career advice for the aspiring archives professionals. Each edition features information and career advice from a different member of the Archives team, regarding what they do, how they got here, and how you can too. Check out our previous posts, and be sure to let us know who you would like to hear from next!
Description: Nearly two years ago, I first heard of a course on the conservation of Japanese paper co-organized by ICCROM, the cultural heritage arm of UNESCO, and the Tokyo National Research Institute for Cultural Properties (also known in Japanese as “Tobunken”). Over three weeks, the course offered a first-hand look at the traditional Japanese conservation techniques, materials, and
Description: [edan-image:id=siris_sic_8629,size=350,left]C. Malcolm Watkins was an unlikely revolutionary; nevertheless, he would lead a vanguard of curators who brought African American history into the Smithsonian in the 1960s and 1970s. C. Malcolm Watkins, Smithsonian curator and cultural historian, brought African American history into the Smithsonian in the 1960s and 1970s. Attentive
Description: [caption id="attachment_1679" align="aligncenter" width="300" caption="Untitled (Drive-In: Circle Theatre), Steve Fitch, 1976, Smithsonian American Art Museum Collection"][/caption] Media and transportation seem forever linked. As I wrote in a previous post, the portable camera and the bicycle made a very nice pairing in their early years at the turn of the 20th century.
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