The Bigger Picture: Visual Archives and the Smithsonian
Posts tagged with: Digitization
- On Monday, October 19, David Skorton was installed at the Thirteenth Secretary of the Smithsonian Institution. [via The Torch, SI]
- Be proactive - Save web content now before it disappears. [via The Atlantic]
- The General Services Administration, which owns one of the nation's oldest and largest public art collections with over 26,000 paintings, sculptures, prints, new media, and more, lauunched a online gallery of public art. [via InfoDocket]
- Irving Penn: Beyond Beauty opens today at the Smithsonian American Art Museum and is the first museum retrospective of Penn's work in twenty years. [via Eye Level blog, SAAM]
- Unintended consequences - A drought in Mexico allows a 400 year old church to emerge in a resevoir. [via Colossal]
- You see them everyday, but did you know the history behind gylphs like the hashtag and slash? [via Wired]
- If were not able to make it to The Tate Modern to see the 130-foot art installation by Sara Fanelli that provided museumgoers with a sprawling roadmap showing the major artistic movements and important artists of the 20th century you can experience it in the video below. [via OpenCulture]
- Prepare to be wowed as the National Museum of Natural History prepares the Nation's T. Rex for the new National Fossil Hall. [via Washington Post]
- RIP library catalog cards, you will be missed - After nearly 2 billion printed, OCLC printed its last library catalog card. [via InfoDocket]
- List of digitization priorities at NARA. [via NARAtions blog, NARA]
- Congratulations to the Archives own Pamela Henson, Historian, who was awarded the Herbert Feis Award for distinguished contributions to public history from the American Historical Association. [via AHA Today blog, AHA]
- In acquisition news, the National Air and Space Museum acquired the Sally K. Ride Collection which is comprised of 182 items and 40 cubic feet of papers. [via SI Newsdesk]
- More images are available online this week: 170,000 Depression-era photos from Yale University, 226 Ansel Adams photos of American National Parks, and over 8400 photos from Apollo astronauts. [via Gizmodo, OpenCulture, and PetaPixel]
- The Archives' Lynda Schmitz Fuhrig, Electronic Records Archivist, answers questions about web archiving at the Smithsonian. [via The Signal: Digital Preservation, LOC]
- Planned for opening in Fall 2016, architect Phil Freelon, who is the leading the design team for the National Museum of African American History and Culture, talks about the design of the museum in the video below. [via NBC News]
October 10, 2015, marks the fourth annual Electronic Records Day. Organized by the Council of State Archivists, this day is designed to raise awareness among state government agencies, the general public, related professional organizations, and other stakeholders about the crucial role electronic records play in their world.
Here on The Bigger Picture, we are no strangers to discussing electronic records, their role in documenting the activities of the Smithsonian, and the challenges they present in ensuring that historically and legally valuable electronic records are saved and remain readable over time. To celebrate Electronic Records Day, we’d like to highlight just a few of our previous posts.
- What Does an Electronic Records Archivist Do?, by Lynda Schmitz Fuhrig, August 10, 2010
- Passwords and Paper Printouts: Preserving the Electronic Records of the Devra Kleiman Papers, by Julianna Barrera-Gomez, July 28, 2011
- Challenges of Appraising Records in the Digital Age, by Jennifer Wright, October 12, 2012
- Paper vs. Electronic: The Not-So-Final Battle, by Jennifer Wright, April 10, 2014
- Web and Social Media Preservation: Capturing Today’s Websites for Future Archival Research, by Stefana Breitwieser, August 12, 2014
- One Lens for Multiple Archives: A Pan-Institutional Survey of Born-Digital Holdings, by Ricc Ferrante, May 28, 2015
- The History of Email at the Smithsonian, by David Bridge, July 21, 2015
- Yes, We’re Still Talking About Email, by Lynda Schmitz Fuhrig, August 4, 2015
- Electronic Records Day 2015, Council of State Archivists
- Museum problems - The American Museum of Natural History is working on getting a 122-feet-long skeletal cast of a newly discovered species of Titanosaurus into a new permanent exhibit space. [via Wired]
- The DC Public Library needs your help in creating its go-go archives! [via Washington Post]
- Looking towards the future - What lies ahead for Smithsonian Libraries. [via Unbound blog, SIL]
- October begins next week and that means it is American Archives Month! On October 1, archives across the country will be answering your questons via Twitter using #AskAnArchivist. Here's a look at the folks who'll be answering questions at the Getty Research Institute. [via The Getty Iris]
- New resources available: Columbia University launched a multimedia glossary for studying cinema and filmmaking and University of Utah's Marriott Library and the Oxford University Press created a new digital archive examining suicide. [via OpenCulture and InfoDocket]
- Taking it inside, the Smithsonian Gardens has created some plant vignettes in the Ripley Center. [Smithsonian Gardens blog]
- Coming up this weekend the National Museum of American History is hosting an Innovation Festival. [via SI Newsdesk]
- Check out the video below on the David Rumsey Map Center at Stanford Libraries where the collection of Rumsey is fused with innovative geospatial technique and visualization technologies. [via InfoDocket]
At the Archives, much of the treatment we undertake is driven by need and request: in this instance, the Board of Regents requested that their historical meeting minutes be digitized for easy consultation, requiring that conservation staff survey and treat the collections in question to ensure they are stable for scanning.
The majority of the volumes were in stable condition with few interventive needs; however, volume 1, covering the meeting minutes from 1846 to 1856, required some structural reinforcement before it could be safely handled during digitization.
Volume 1 is an oversized book measuring 19.5” by 14”, and is 4” thick; it is bound in plum-colored leather, decorated in a style similar to one known as the Cambridge panel. The first volume begins with a transcribed version of James Smithson’s will and the Acts of Congress that created the Smithsonian Institution; after these items, the minutes of the Board of Regents meetings start, carefully written across penciled grid lines to ensure straight text.
Despite the overall fine condition of the volume, there were a few obstacles impeding its quick send-off to digitization. These were structural, based on the style and girth of the binding. As described above, the book is quite large and weighty, with heavy covers that stress the joint of the volume as the book is opened and closed. It also appears that when the book was made, the spine of the book was not fitted closely enough to the paper textblock; as a result, when the volume is opened, it wants to pull further than the textblock is able to move, causing the textblock to break at various points and leave loose pages. The book’s leather spine is heavily cracked, another result of the overlarge spine trying to open further than the textblock can. The stress of opening the book also caused the leather to break along the joints, particularly at the head of the front cover board where the joint is broken through completely. The headcap was heavily damaged as well, probably because it is a natural place to grip a book when removing it from the shelf; the leather was broken, exposing the heavy cord used to strengthen it, and revealing a large unsupported cavity that contributed to its damage.
Attention was devoted first to the textblock, with some light surface cleaning. Loose pages were reattached with V-shaped Japanese paper hinges: one side of the V was adhered with wheat starch paste to the textblock and allowed to dry before pasting out the other side and laying the loose page atop it. This ensured that the page edges aligned properly. Once all loose pages were in place, the dilemma described above needed solving—how to connect the separated pieces of the textblock but allow the binding to open fully, preventing the textblock from breaking anew.
The solution arrived at is a modification of the V-shaped hinges. A W-shaped piece of Japanese paper, carefully scored and folded in advance, was created. This gusseted joint leaves the central peak of the W left free to flex across the opening of the book, distributing the stress and preventing future breaks. Each leg of the W was adhered in place along the spine edges of the pages facing across the break and left to dry under weight.
With textblock repairs completed, focus moved to the broken leather exterior. A simple but effective method of treatment, known as the Etherington hinge, was employed: strips of pre-colored Japanese paper, chosen to match the leather, were placed under the leather of the covers and of the spine to span the joint and adhered in place with wheat starch paste. Once this was set, the original leather was re-adhered atop the paper hinge. Slightly damaged endcaps can be repaired in a similar fashion.
The heavily damaged headcap needed more attention. As mentioned above, a large space inside the leather left the headcap without adequate support and resulted in significant damage. To fill this gap, a new core was created by wrapping the same Japanese paper used to repair the joints around a short length of linen thread; this was inserted beneath the leather on top of the original cord. A second, narrower one was created in the same manner to fill in the space left between the two cylindrical pieces, before re-adhering the original leather.
Finally, abraded and deteriorating areas of the leather were consolidated to prevent further loss of material.
Now in a condition to be digitized, the book was given a new Mylar wrapper prior to being returned to collection storage. However, in the process, something intriguing came to light: leather removed from a different book, lined with linen, and bound in to the rear of this volume. There is evidence of water damage as well as a repair done to fill a section of missing leather. But where did it come from?
Based on research in the Mary Henry diaries and conversation with Pam Henson, Smithsonian Historian, it appears that after the Castle fire in 1865, few to no records were saved, including the original minutes of the Board of Regents. This volume is in fact a sort of facsimile prepared from the edited and published versions of the minutes, copied into a new volume to create a similar effect to the original book. The style of the decoration is very similar and was possibly an attempt at reproduction.
Regardless of the “originality” of this volume, the minutes it preserves make up a valuable piece of the Smithsonian’s history. With a digital version forthcoming, it will be of even greater use to the Regents as they shape the present and future of the Institution.
- Smokin' Smithsonian, The Bigger Picture blog, Smithsonian Instituion Archives
- The Burning of the Smithsonian, The Bigger Picture blog, Smithsonian Institution Archives
- Color image of Smithsonian Castle on Fire, Smithsonian Institution Archives
- Record Unit 1 - Smithsonian Institution, Board of Regents, Minutes, 1846- , Smithsonian Institution Archives