Description: When I started working with museums in 2005, the concept of crowdsourcing was in its infancy. That year, James Surowiecki ‘s book, “The Wisdom of Crowds,” was published and there were tiny experiments in crowdsourcing occurring in the cultural heritage sector. There were hesitations and objections about the whole concept within the GLAM (gallery, library, archive, museum)
Description: Barbeque. Doughboy. Free trade. Pumple-nose. Smugglers. Cortan. Crockadore. Chopsticks. William Dampier, the 17th century explorer turned privateer/pirate, is credited with introducing these words, and more than 1,000 others, into the English vernacular. He was the first explorer to circumnavigate the globe three times, and created the first detailed record of Australian Flora
Description: The Smithsonian Folklife Festival will be held from June 30 to July 4 and July 7 to 11, 2011 on the National Mall. Read more about the history of the Folklife Festival here. At the Smithsonian Folklife Festival this year, the Peace Corps is celebrating its fiftieth anniversary. On March 1, 1961, President John F. Kennedy signed an Executive Order authorizing the Peace Corps to
Description: This post is the third in a series this month that honor the anniversary of the famous Scopes Trial held in Tennessee from July 10–21, 1925. We're highlighting a set of rare and newly digitized photographs from the Smithsonian Institution Archives collections, of witnesses at the trial, which have been added to the Smithsonian Flickr Commons. On Wednesday afternoon, July 15,
Description: So you want to be a conservator? In this continuation of our series on career advice, one of our conservators shares some advice for those looking to explore the professional field of cultural heritage conservation.
Description: The historical legacy of amatuer photographer Julian Papin Scott (1877-1961) is far greater than was acknowledged at the time, because of both who he photographed and how he set up the images.
Description: Nearly two years ago, I first heard of a course on the conservation of Japanese paper co-organized by ICCROM, the cultural heritage arm of UNESCO, and the Tokyo National Research Institute for Cultural Properties (also known in Japanese as “Tobunken”). Over three weeks, the course offered a first-hand look at the traditional Japanese conservation techniques, materials, and