The Bigger Picture: Visual Archives and the Smithsonian
What Does an Electronic Records Archivist Do?
Do you still work with 3.5-inch diskettes? How about 5.25-inch floppy disks and Zip disks?
I do.
As an electronic records archivist at the Smithsonian Institution Archives, I spend most of my time working with digital information to help ensure it will be accessible in 5, 25, or even 100 years from now. Born-digital materials arrive at the archives in a variety of ways (CDs, DVDs, diskettes, file transfers, etc.) and categories (images, text, audio, video, websites, etc). I am responsible for transferring these digital records—which can include correspondence, spreadsheets, drawings, and other items, some of which never existed in paper form—to our secure servers and preserving them for future use by researchers and staff.
At the moment, I am working on a collection that includes forty-nine 3.5-inch diskettes and five Wang floppies. On the diskettes are files that were created in the late 1990s: contracts, checklists, and important records about past exhibitions.
Using some of the older, in-house equipment we have, I was able to open and view the files on these diskettes, conduct virus scans, and copy the files to our system. Additional processing that needs to be done will include converting their content into standard digital preservation formats (usually ones that are non-proprietary or open and widely used) whenever possible. As I go through the files on these diskettes, I use a variety of digital preservation tools to help me determine if a file is a photo or text in a specific word processing program. In the future, these digital records also will be migrated to even newer formats, as necessary, to insure that important archival information remains accessible in the future. All of the steps that I take in that process have to be documented to ensure the authenticity and integrity of the records. The original files from the diskettes or other media are always retained as well. Both the original and converted digital files also will be regularly backed up and extra copies of them will be made, for safety’s sake.
Sometimes, though, even if we’re able to successfully copy the files to our server, we are not always able to access them because the software necessary to do that is no longer available or the files have become corrupt.
Sony has recently announced that it will discontinue sales of 3.5-inch diskettes in Japan next year. While it is rare that folks still save their files to diskettes the Smithsonian Institution Archives will continue to receive them for at least five more years as various Smithsonian employees clean their offices and send their files to the Archives. These collections will include paper records and diskettes/CDs/Zip disks, etc. containing other files.
What we deal with, on a daily basis, at SIA are the challenges that come with managing electronic records, including:
- Software and format obsolescence: A WordStar word processing file from 1991, for example, require us to use a specialized converter to read that file today. Even WordPerfect files from just 12 years ago will look slightly different when they’re opened in the latest version of WordPerfect.
- Media obsolescence: While we have an operational 5.25-inch floppy disk drive, for example, some floppies cannot be read because of the way they were made and/or stored. This is true of all media, from 3.5-inch diskettes to DVDs to USB drives.
- Hardware obsolescence: Today, a 3.5-inch drive needs to be special ordered because most PCs no longer come with that equipment. CDs/DVDs are supposed to last decades, but how long will the equipment used to play them be around?
That’s why our work—which involves taking action with electronic records now—is essential, rather than waiting until a research request comes in years from now, when extracting material from the original disk may be difficult, or no longer possible.
Comments (15) – Leave a comment
Haha never knew people still used these things! What with all the pen drives and portable hard drives that are around! You can get 64GB pendrives I believe and 1TB portable hardrives. Amazing how technology progresses! Guess I was wrong though.
Hi Lynda, Until recently I worked at the National Archives of New Zealand in the Digital Archives team. I have not been aware of any infromal group for digital/electronic archivists, I guess it would have to be international due to the relatively low density of practioners. Are you aware of any such group outside the formalised professional groups like DP Europe and iPRES for informal chat, etc.? I have set up a group on Linkedin "Future Perfect" originally for attendees of our Digital Continuity BarCamp earlier this year which could be used as an informal networking tool. Regards Stephen
Thank you for this helpful article. I am new to RIM and do not yet have a full understanding of digital records management.
Haven't you heard of an external, USB-powered 3.5 inch diskette drive? I have one and its invaluable since I haven't migrated all my collection to more current media storage.
The interesting thing is that most people over the age of 30 know of these media formats and that they become obsolete over time yet still insist on using them. We have developed a policy for our workplace which states that records must not be stored on external storage devices yet this policy is ignored by many, and they want our help when they can no longer access old records. Hmmmm
Stephen, Future Perfect sounds like there could be potential. The Society of America Archivists (we're having our annual conference this week in Washington, DC, by the way) has an Electronic Records Section and an active listserv. Lynda
David, Yes, we also use USB-powered 3.5" drives in our shop. They are great to have. A 5.25" drive would be handy as well but haven't found one with the USB connection. Lynda
I think it will be due to the relatively low density of the international system. Do you know there is such a group of professional groups outside formalised, Europe and iPRES people chat, etc.
Dear Linda! In practical work you are using the recommendations of Electronic records: A workbook for archivists. ISA Study 16. April, 2005? You have the statistics of visits of researchers to «files that were created in the late 1990s: contracts, checklists, and important records about past exhibitions»? Is there a recording forms for documenting your work?
Hi Ivan, The ICA workbook is a very good reference for us and can be found here: http://www.ica.org/sites/default/files/Study16ENG_5_2.pdf. We do track all reference requests here at SI Archives, as well as document the processing we conduct on accessions. Lynda
Dear Lynda! Thank you for your reply. It was especially interesting to learn about The Situationist International archives. In Russia there is no similar experience.
Great to hear from the trenches of somebody actually doing this professionally. I worry about these issues on a small time-scale and volume-scale, for myself -- personal correspondence, photography, and a growing number of ebooks. I do still have working 3.5" and 5.25" IBM drives at home. Anything older I can't handle; I hope we got the DEC Robin 400KB CP/M disks copied onto the IBM back in the late 1980s! If my house burns or is flooded (the two most likely catastrophes to hit a private residence), my digital archives will survive pretty well (I have off-site backups). All my old film photos will probably be lost (except those already scanned to digital form). On the other hand, if my digital archive is ignored for 50 years, it's likely to be unreadable, whereas the film archive and paper documents will only degrade slowly, and in 50 years will be mostly still useful. I talk to other photographers a lot about archiving issues, and point out these conflicts. I describe digital archives as "brittle", and explain that they do not do well under benign neglect. But they're wonderfully powerful if well-maintained. Clearly digital is better for me taking care of my own information during my lifetime. That's the part I really care about. I notice Nikon has discontinued all their dedicated 35mm film scanners. Of course a (much more expensive) medium format film scanner will handle 35mm too; but it's starting to feel like the window for digitizing film is just beginning to close.
There are still some old Wang systems out there, and emulation software that will let you run a Wang OS and Wang software on non-Wang hardware. The Digibarn has a couple of Wang 2200s in their collection. See http://www.digibarn.com/collections/systems/wang2200a/index.html for details. They might be able to assist you in getting at the data, or pointing you at someone who can. You might also look at the Usenet newsgroup alt.folklore.computers. The folks who hang out there go way back, and worked on (or helped develop) things like the Wang systems you are dealing with, and can probably point you at resources. There are a number of antique computer hobbyists out there dedicated to preserving old technology. An example is BitSavers, at http://www.bitsavers.org/, dedicated to preserving old documentation and software. BitSavers has lings to similar sites you may find useful. Like DDB, I have both 3.5 and 5.25 floppy drives, in the form of a combo half-height drive. It's less of a boon than it used to be, as my current motherboard doesn't see both drives as A: and B:. If I have to actually read a 5.25 floppy, I need to pull the drive and change jumper settings. But I still *have* a fair number of 5.25 floppies, so I keep the capability to read them. Software to handle particular data formats is another matter, alas. ______ Dennis
Bravo David. It sounds like you are taking the right steps with your personal digital material. You are correct in that you just can't fill an external drive and walk away from it. Drives stop working, software and formats change. Proper management is key.
Dennis, Thank you for the links. Great information on the two sites.
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