Charles
Walcott at camera
|
Charles D.
Walcott used photography to document his scientific work. In 1905
he began experimenting with panoramic photography. By the time
of his last field expedition
in 1925, he had created more than 600 panoramas of the Canadian
Rockies. Initially his photography was utilitarian, but once true
panoramic cameras became available, Walcott created striking images.
He used Al-Vista and Cirkut cameras, bringing enough photographic
equipment to load one pack horse.
However,
photography in the field was no simple matter. Even though
Walcott preferred glass-plate negatives in an 8” x 10” format
because they could be developed on site, it was difficult to
bring heavy glass over the mountains. Walcott complained that
flexible (plastic or cellulose nitrate) film often fogged before
he could get it developed in Washington. The advantage of flexible
film was in the sweeping panoramic views it could record.
With
no easy way to develop film in camp, it was hard to tell if
the camera needed adjusting. Walcott set up a system with the
Smithsonian’s official photographer, T. W. Smillie. At
the start of each expedition, Walcott took a few test shots
and
shipped the negatives to Washington. Smillie made prints and
sent a telegram to Walcott, advising him on technical problems
and exposure. Walcott then made adjustments and proceeded to
more remote locations.
Getting
these shots required patience and skill. Walcott commented: “Often
in the Canadian Rockies days will pass in which atmospheric
conditions are unfavorable to an extended view – dust
blown in
from the plains, smoke from forest fires…the best conditions
usually occur after a heavy storm of either snow or rain has
cleared the air.” (National Geographic Magazine, May
1913)
In later
years, Walcott’s photographs accompanied magazine articles,
brochures for the Canadian Pacific and Grand Trunk Pacific
Railways, lectures and especially his
Smithsonian scientific publications. Walcott’s images
offer both the scenic grandeur of the Rockies and the documentary
evidence of a geologist at work.
-Adapted
from “The Panoramic Photography of Charles D. Walcott” by
Michael Horsley, Panorama, Summer 2002, Vol.19, No.2 |