Showing results 1 - 12 of 20 for The Healing Power of Art: Works of Art by Haitian Children after the Earthquake (Exhibition) (2010-2011: Washington, D.C.)
Description: The story of the damage context and advanced treatment of a Stivenson Magloire painting broken into fragments by the 2010 Haiti earthquake.
Description: In the U.S. Department of Agriculture (USDA) Office of Exhibits, Margaret Jane Russell Roller (1888-1973) had begun to specialize in fabricating lifelike wax models of food and animals.
Description: On June 16, 2006, Smithsonian’s Anacostia Community Museum changed its name for the third time, signaling a renewed focus on local Black history and beyond.
Description: [edan-image:id=siris_sic_8698,size=300,left]Today marks the forty-fourth anniversary of the opening of the Anacostia Community Museum (ACM), then called the Anacostia Neighborhood Museum. The ACM opened in 1967 at the old Carver Theater in the Anacostia section of Washington, DC. The “experimental community museum” was first suggested by the Smithsonian’s eighth Secretary S.
Description: The 1846 legislation that established the Smithsonian Institution provided for a Secretary, appointed by the Board of Regents, who would run the day-to-day affairs of the Institution. When David Skorton became Secretary last year, he was the thirteenth person to take on that responsibility. In our last blog, we discussed the first six and now we’ll look at seven through
Description: Joan Gilder has been a volunteer with the Smithsonian Institution Archives' Preservation Team for two decades, and has worked to treat many of our collections in order to increase their lifespan and improve access. She has been an invaluable asset to the Archives since she first began, and we are thrilled to share a little more about her story.What did you do before you began
Description: Friday, September 15th, 2017 marks the 50th Anniversary of the opening of the Anacostia Community Museum. Originally named the Anacostia Neighborhood Museum, Secretary Ripley envisioned this as a place to reach out to black residents of Washington, DC who were not seeing themselves in the museums on the Mall. Reporting on the opening of the museum, Secretary Ripley writes that
Description: I cannot, I feel, have any regrets about my accomplishments. What comes from art will just come. I don’t feel any need to strive. - John N. Robinson One of my favorite parts of working in an archive is the opportunity to immerse myself in other people’s worlds, to learn more about their stories and experiences. One such person I encountered recently was John N. Robinson, a
Showing results 1 - 12 of 20 for The Healing Power of Art: Works of Art by Haitian Children after the Earthquake (Exhibition) (2010-2011: Washington, D.C.)