Description: [caption id="attachment_3132" align="aligncenter" width="300" caption="Surveillance camera found in hallway, 2009, courtesy of Marvin Heiferman."][/caption]Note to readers: the "News in the Visual" blog posts referenced below have now been moved to the "What Gets Saved" category on THE BIGGER PICTURE (2/20/2011).Talk about ironic. The whole time I’ve been writing “News in the
Description: [caption id="" align="aligncenter" width="400" caption="Graduating class from The Calverton School, Huntingtown, Maryland, by unidentified photographer, 1977, National Museum of American History, Behring Center, Archives Center"][/caption] "It’s kind of a bummer when you look so beautiful and somebody has the same exact one as you," says a high school senior quoted in a recent
Description: Recently, I read some interesting news about the National Public Radio blog, “The Picture Show,” that explores photographic images and issues.
Description: [caption id="" align="aligncenter" width="220" caption="Cover of Reader's Digest magazine featuring article on sexting, by Matt M, Creative Commons: Attribution 2.0."][/caption] Over the past few weeks, the web’s been abuzz with articles, blog posts, and comments about sexting, the practice of sending explicit photos (and sometimes texts and videos as well) over the Internet.
Description: Since The Bigger Picture began in early 2009, I’ve written a number of posts about what might be called camera traps, situations where cameras are installed to collect evidence of one kind of unusual or unwanted behavior or another. Red light cameras are a controversial example; across the country and on an almost daily basis, local municipalities and motorists argue about
Description: [caption id="attachment_1641" align="alignnone" width="400" caption="why? dia doscientos catorce, by Flickr member, Andrea"][/caption] Last weekend, I was working, editing a short essay about the rise of “citizen journalism” by Fred Ritchin, author of the recently published After Photography, which we’ll be uploading soon on click! photography changes everything.
Description: [caption id="attachment_564" align="aligncenter" width="350" caption="Taft Voting, by Bain News Service, publisher, 1912, Library of Congress, LC-B2- 2442-16"][/caption] It’s against the law to photograph certain things, at certain times, in certain places. The St. Louis Post-Dispatch recently reported that a photograph of an election ballot in a mayoral race—showing the name
Description: [caption id="" align="aligncenter" width="222" caption="In the City Where Nobody Cares, by unidentified photographer, 1910, National Museum of American History, Behring Center, Archives Center."][/caption] A couple of years ago, as soon as Google’s Street View application was introduced, it generated worldwide controversy. Ground-level photographic images, shot from cameras
Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement
Description: [caption id="" align="aligncenter" width="360" caption="Eraser, by Sarah McKenzie, Creative Commons: Attribution 2.0."][/caption] An interesting story surfaced about a week ago, concerning an over-eager defense lawyer anxiously seeking to expunge not only governmental, but media archives, too, of potentially damaging information or previously published articles about a number
Description: [caption id="" align="aligncenter" width="277" caption="Cascading Light, by Terry Mann."][/caption] It was 3 o’clock in the morning and something out of the ordinary was happening. And good neighbor that she is—although it might not seem that way to all of you—Terry Mann grabbed her camera then started waking people up. There wasn’t anything wrong in the neighborhood, but she
Description: When institutions archive data, they capture and organize it in digital formats that make the most sense to them, based upon their specific group of users, needs, and technical options that are available at a given point in time. But what happens if, for example, institutions decide that it makes sense to enhance their mission by their presenting data collections in less
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