Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: Starting last fall, stories started popping up in the British media and online about photographers who’d been stopped by officials empowered to question and search them if they seemed suspicious or might have some links to terrorism.
Description: [caption id="attachment_4178" align="alignleft" width="206" caption="Levi Hill often photographed color lithographic prints, mostly European images, when attempting to perfect his Hillotype color process. This print of a girl and small animal shows his achievement in capturing natural colors on a daguerreotype plate, circa 1851-56."][/caption] Excepting the 8% of males and
Description: Right after Thanksgiving, on a promotional tour stop for his post-presidential memoir, Decision Points, George W. Bush visited Palo Alto, California to chat with Facebook CEO Mark Zuckerberg. According to a CBS News report, Mr. Bush mentioned that while he has more than 600,000 Facebook "friends," and now uses a Blackberry and iPad, during his presidency, he didn’t make much
Description: When institutions archive data, they capture and organize it in digital formats that make the most sense to them, based upon their specific group of users, needs, and technical options that are available at a given point in time. But what happens if, for example, institutions decide that it makes sense to enhance their mission by their presenting data collections in less
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: [caption id="" align="aligncenter" width="350" caption="Privacy And Control, by Michael Pickard, Creative Commons: Attribution 2.0."][/caption] It’s a sign of the times that we’re being watched often and everywhere. Surveillance, a word that once summoned up all things intrusive and sneaky, is part of everyday lexicon and experience.
Description: At SPI, we were sad to learn that Jessie Cohen died earlier this week. Jessie was one of the photographic mainstays at the Smithsonian; she started working at the Smithsonian National Zoo in 1979, photographing animals, their living quarters, and behind-the-scenes events for exhibition, education, and marketing purposes. In addition, Jessie also managed the Zoo’s exhibition
Description: [caption id="" align="aligncenter" width="220" caption="Cover of Reader's Digest magazine featuring article on sexting, by Matt M, Creative Commons: Attribution 2.0."][/caption] Over the past few weeks, the web’s been abuzz with articles, blog posts, and comments about sexting, the practice of sending explicit photos (and sometimes texts and videos as well) over the Internet.
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