Description: [caption id="" align="aligncenter" width="350" caption="Natural Gas Fracing, by Melissa Peffs."][/caption] Photography is valued for, among other things, seeing what the human eye cannot. From medical scans to red light cameras to artworks made by image makers offering up new perspectives, photography reminds us that there’s always more to observe than we’re physically able to
Description: Institutions devise all sorts of procedures to determine what kinds of documents to collect, and how to save and archive them. The Smithsonian Institution Archives, for example, advises and works with various museums, research institutes, and offices across the Smithsonian, on an ongoing basis, to determine and manage what will get archived for posterity. But in some
Description: Recently, I read some interesting news about the National Public Radio blog, “The Picture Show,” that explores photographic images and issues.
Description: [caption id="" align="aligncenter" width="350" caption="Window Necklace, by Hoong Wei Long, Creative Commons: Attribution 2.0."][/caption] For those who continue to believe that bigger is better—that you’re better off, for example, the more megapixels your digital camera delivers—a recent article by Jordan Ellenberg in WIRED magazine suggests the opposite may be true.
Description: [caption id="" align="aligncenter" width="350" caption="Perfect, by Bruce Berrien, Creative Commons: Attribution 2.0."][/caption] At the turn of the 21st century, as federal organizations and private corporations were competing against each other in the race to decode the human genome, a number of exhibitions that explored areas where genetic science and visual imagery
Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: [caption id="" align="aligncenter" width="368" caption="Cybill Shepherd at the "Castle" during the filming of "Chances Are," where she plays an SI curator, 1988, by Jeff Tinsley, Photographic print, Smithsonian Institution Archives, Record Unit 371, Box 5, Negative Number: 88-10752-31. "][/caption] The frequency with which the words “curator” and “curating” pop up continues to
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: When the names of certain cities are mentioned, photographic images of them pop into your head almost immediately. Washington = buildings on or near the mall. New York = skyscrapers of one sort or another. Paris = the Eiffel Tower. Tokyo = the Ginza shopping and entertainment district. With that thought in mind—and considering the multiple roles photography plays in shaping,
Description: [caption id="" align="aligncenter" width="350" caption="Wallet, by Amanda Govaert, Creative Commons: Attribution 2.0."][/caption] A recent article by Caitlin McDevitt in the Washington Post, describing Facebook’s expanding role as a hub for digital photography, while providing some surprising facts, raises one particularly interesting issue. As more people post and share
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