Description: [caption id="" align="aligncenter" width="277" caption="Cascading Light, by Terry Mann."][/caption] It was 3 o’clock in the morning and something out of the ordinary was happening. And good neighbor that she is—although it might not seem that way to all of you—Terry Mann grabbed her camera then started waking people up. There wasn’t anything wrong in the neighborhood, but she
Description: Since The Bigger Picture began in early 2009, I’ve written a number of posts about what might be called camera traps, situations where cameras are installed to collect evidence of one kind of unusual or unwanted behavior or another. Red light cameras are a controversial example; across the country and on an almost daily basis, local municipalities and motorists argue about
Description: [caption id="attachment_3084" align="aligncenter" width="300" caption="President Obama conducts interviews in the Map Room 3/30/09. Official White House Photo by Pete Souza."][/caption] Some photographs, instead of illustrating the news, are designed to make news. Given the speed at which photographic images can be distributed, the audiences they reach, and the attention they
Description: Toward the end of a long day last week, tired of looking at and thinking about still pictures, I decided to take a break to check out what kinds of videos about photography had been posted on YouTube. The key word "photo" yielded 885,000 videos and feeling a little daunted, I started scanning the first couple of hundred to see what turned up. All the how-to videos about
Description: [caption id="" align="aligncenter" width="222" caption="In the City Where Nobody Cares, by unidentified photographer, 1910, National Museum of American History, Behring Center, Archives Center."][/caption] A couple of years ago, as soon as Google’s Street View application was introduced, it generated worldwide controversy. Ground-level photographic images, shot from cameras
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
Description: [caption id="attachment_1641" align="alignnone" width="400" caption="why? dia doscientos catorce, by Flickr member, Andrea"][/caption] Last weekend, I was working, editing a short essay about the rise of “citizen journalism” by Fred Ritchin, author of the recently published After Photography, which we’ll be uploading soon on click! photography changes everything.
Description: [caption id="" align="alignleft" width="240" caption="I have no hours in the day to watch TV/games. Don't let life go by!!, by National Media Museum, Creative Commons: Attribution 2.0."][/caption] From 2002-2005, a unique archive of video tapes was compiled by the Center on Everyday Lives of Families (CELF) at UCLA, with the goal of studying a relatively new social
Description: In a storm of reporting, hundreds of articles published online and in print over the past couple of days, have focused attention on a story that touched on issues both photographic and archival.
Description: A few days ago, I went to an IMAX 3D showing of Avatar to see for myself if the movie is a “game-changer,” as many have suggested. And, it is, but in a way no one seems to be focusing on—the way it acknowledges and exploits photography’s power to shape both everyday and alternate realities. What struck me, as soon as the movie started, was how sophisticated the film’s
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