Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement
Description: In a storm of reporting, hundreds of articles published online and in print over the past couple of days, have focused attention on a story that touched on issues both photographic and archival.
Description: [caption id="attachment_1085" align="aligncenter" width="400" caption="President Barack Obama and health care executives leave the State Dining Room of the White House following a press statement May 11, 2009. Official White House Photo by Lawrence Jackson."][/caption] A few days ago, watching TV and seeing Barack Obama face yet another gaggle of photographers and
Description: [caption id="" align="aligncenter" width="400" caption="A Penmanship sign was located in Boerum Hill and was painted in 1997. It was a faux billboard created by Jerry Johnson of Orange Outdoor Advertising, Photo by Bosc d'Anjou, Creative Commons: Attribution 2.0 Generic."][/caption] A week or so ago, I was looking through documents scanned by the Smithsonian Institution
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
Description: [caption id="" align="alignleft" width="133" caption="Earth, 1971, Apollo 15, Smithsonian National Air and Space Museum, Center for Earth and Planetary Studies"][/caption] The planets and outer space used to seem far, far away from our lives down on earth. But as this slideshow reveals, by the mid-twentieth century—with Ford Galaxies in our driveways, satellite-shaped barbeque
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
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