Description: Institutions devise all sorts of procedures to determine what kinds of documents to collect, and how to save and archive them. The Smithsonian Institution Archives, for example, advises and works with various museums, research institutes, and offices across the Smithsonian, on an ongoing basis, to determine and manage what will get archived for posterity. But in some
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: Look at enough photographs and it’s inevitable that, at some point, you’ll find yourself pondering mortality and photography’s relationship to death. Because the medium so effectively captures fragments of lives, events, and data that have come and gone, you’re always looking at and trying to make sense of something that’s over, finished, part of the past. Writers—particularly
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes
Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: [caption id="" align="aligncenter" width="400" caption="Newspapers, by Quinn Cowper, Creative Commons: BY-NC-ND 2.0."][/caption] On May 20th, a flurry of reports took note of Google’s decisions to halt its ambitious efforts to digitize the contents of newspaper archives and make them online and at no cost.
Description: Savage Beauty, the posthumous and retrospective exhibition of women’s fashions designed by Alexander McQueen (1969–2010) at New York’s Metropolitan Museum of Art closed early in August. The record breaking event—an official attendance count of 661,509 visitors made it the eighth biggest show in the museum’s history—featured approximately one hundred ensembles drawn, primarily,
Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.
Description: [caption id="" align="alignleft" width="251" caption="Photo of William F. Mack, Roentgenologist, by Margrethe Mather, 1922, National Museum of American History, Behring Center, Division of Information Technology and Communications"][/caption] Just how closely do radiologists look at what they’re supposed to be analyzing? Would knowing whose CT scans they were studying make