Description: Recently, I read some interesting news about the National Public Radio blog, “The Picture Show,” that explores photographic images and issues.
Description: Since The Bigger Picture began in early 2009, I’ve written a number of posts about what might be called camera traps, situations where cameras are installed to collect evidence of one kind of unusual or unwanted behavior or another. Red light cameras are a controversial example; across the country and on an almost daily basis, local municipalities and motorists argue about
Description: Back in December, I wrote a post about Emory University’s efforts to make the writer Salman Rushdie’s digital files available to fans, researchers, and interested parties. A couple of days ago, I came across an interesting report about a gathering, an “unconference,” that was sponsored by the University of Virginia’s Albert and Shirley Small Special Collections Library, which
Description: [caption id="attachment_1872" align="aligncenter" width="263" caption="Eyeball 1, by loonyhiker, 2009."][/caption] At some point, everyday, I scan the Internet for stories about photography’s role and impact in culture. It turns out that in addition to all the images that are out there to be seen, there are surprising numbers of reports circulating about the power of those
Description: [caption id="" align="aligncenter" width="237" caption="This is America...Keep it Free!, Dorothea Lange, 1942, National Museum of American History, Kenneth E. Behring Center, Archives Center."][/caption] More cameras in more places. A couple of weeks ago, I wrote about the installation of red light cameras and the controversy surrounding their use that’s continuing to spread
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.
Description: [caption id="" align="aligncenter" width="350" caption="Posing with a yearbook picture of myself, by Billy Mabray, Creative Commons: Attribution 2.0."][/caption] I’m a fan of yearbooks. I was an editor of mine in college, a somewhat unusual, multi-volume, and boxed object that included two books, a booklet, a brochure, and (it being the late sixties) a balloon. Back then, we
Description: [caption id="attachment_3532" align="aligncenter" width="220" caption="Lorgnette Humaine, Scan from The English Mechanic, 1897 drawing of an invention using X-Rays to scan luggage, courtesy of Flickr user Mark Wahl, Creative Commons: Attribution 2.0."][/caption] A week or so ago, shoes off and stuck in the slow moving security check line at an airport, I became fixated as I
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