Description: [caption id="" align="aligncenter" width="400" caption="A Penmanship sign was located in Boerum Hill and was painted in 1997. It was a faux billboard created by Jerry Johnson of Orange Outdoor Advertising, Photo by Bosc d'Anjou, Creative Commons: Attribution 2.0 Generic."][/caption] A week or so ago, I was looking through documents scanned by the Smithsonian Institution
Description: Back in December, I wrote a post about Emory University’s efforts to make the writer Salman Rushdie’s digital files available to fans, researchers, and interested parties. A couple of days ago, I came across an interesting report about a gathering, an “unconference,” that was sponsored by the University of Virginia’s Albert and Shirley Small Special Collections Library, which
Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: [caption id="" align="aligncenter" width="448" caption="Temperance Parade, Church of the Nazarene, Medora, Illinois, photographer unknown, real-photo postcard, 1908, Courtesy of Luc Sante, 2009."][/caption] One of the thrills of seeing—when you stop to pay attention to it—is how complex and quickly the process of looking and making sense of what we see happens. According to
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: [caption id="attachment_3132" align="aligncenter" width="300" caption="Surveillance camera found in hallway, 2009, courtesy of Marvin Heiferman."][/caption]Note to readers: the "News in the Visual" blog posts referenced below have now been moved to the "What Gets Saved" category on THE BIGGER PICTURE (2/20/2011).Talk about ironic. The whole time I’ve been writing “News in the
Description: The Archives announces the publishing of the book, Photography Changes Everything, by Marvin Heiferman, and based on the click! online photo project.
Description: [caption id="attachment_4178" align="alignleft" width="206" caption="Levi Hill often photographed color lithographic prints, mostly European images, when attempting to perfect his Hillotype color process. This print of a girl and small animal shows his achievement in capturing natural colors on a daguerreotype plate, circa 1851-56."][/caption] Excepting the 8% of males and
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
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