Description: [caption id="attachment_2093" align="aligncenter" width="300" caption="R•I•T Big Shot No. 1, HIGHLAND HOSPITAL, Rochester, New York USA, produced by The Highland Hospital, The RIT Biomedical Photographic Communications Dept., Other Students, Faculty & Friends of RIT Photography, December 4, 1987."][/caption] In December of 1987, professors William DuBois and Michael Peres of
Description: [caption id="" align="aligncenter" width="420" caption="Heard Museum Gift Shop, by Daniel Greene, Creative Commons: Attribution 2.0."][/caption] [caption id="" align="alignright" width="216" caption="Slide Carousel: Loading Slides into the Carousel 5, by rosefirerising, Creative Commons: Attribution 2.0."][/caption] How does photography change the ways we look and learn about
Description: [caption id="attachment_541" align="alignleft" width="144" caption="Inscription inside Lincoln's watch, by Hugh Talman, 2009, National Museum of American History"][/caption] Does photography always report on the past? Recently, as part of the Lincoln Bicentennial celebration, the Smithsonian took a closer look at a rare Lincoln object that possessed a secret message.
Description: [caption id="" align="alignnone" width="400" caption="Untitled, by Unidentified photographer, c. 1905, Smithsonian Institution Archives"][/caption] In keeping with our summer travel theme, I began to investigate some of the ways in which photographers were first able to travel with their cameras. To give a brief background, the invention of photography in 1839 coincided with
Description: [caption id="" align="alignleft" width="181" caption="Edmonia Lewis, National Portrait Gallery"][/caption] In Kodak and the Lens of Nostalgia (2000), Nancy Martha West describes how the company—marketing the first box cameras in the 1890s—aggressively targeted female consumers, hoping they’d “see photography not only as a necessary component of domestic life but as an integral
Description: [caption id="" align="aligncenter" width="275" caption="Miss Gloria Smith (Wedding) Deluxe Wedding Album, June 24, 1956, by Scurlock Studio (Washington, D.C.), Silver gelatin on cellulose acetate film sheet, Scurlock Studio Records, ca. 1905-1994, Archives Center, National Museum of American History, Call No. 0618.278439. "][/caption] When I read Laurie Lambrecht’s recent
Description: [caption id="" align="aligncenter" width="320" caption="Untitled, by Thomas Smillie, c. 1890, Smithsonian Institution Archives."][/caption] One of the things people often want to know about photography at the Smithsonian is, “How many photographs do you have?” with the quick follow-up, “Have you counted all of them?” No one knows for certain, but statistical sampling suggests