Description: As editor E. E. Slosson began setting up the Science Service news office, his mail was flooded with inquiries from potential contributors. Writers and photographers described their accomplishments and submitted samples of their work. One such letter, from Albert Harlingue on April 13, 1921, must have piqued Slosson’s interest, for it coincided with the Washington visit of “a
Description: In November 1938, Science News Letter published a story on Enrico Fermi winning the Nobel Prize in Physics, running a headshot of the professor. It's the kind of photo found in a passport—Fermi is looking forward with not much of a smile. The next question a historian would ask is did Science Service, the publisher, hire one of its photographers to take the photo, or acquire
Description: [caption id="" align="aligncenter" width="384" caption="Construction of the Pension Building, Designed by Montgomery Meigs, c. 1883, by Unknown photographer, Albumen print, National Museum of American History, Kenneth E. Behring Center, Image ID: AFS 182."][/caption] One of the first collections that I encountered during my travels through the photography collections of the
Description: Opening on April 6, 2018, A box of ten photographs highlights the portfolio of Diane Arbus, an American photographer known for her black-and-white images of marginalized individuals, including the mentally ill, circus performers, and transgender people. The exhibition, at the Smithsonian American Art Museum (SAAM) until January 21, 2019, traces the history of Arbus's
Description: In many cases, after photography was introduced to the public in 1839, if an event seemed like it might be unique, it is likely that someone (or, more recently, something) was there to photograph it. Even today, when cameras are positioned to photograph repetitious things or situations—cars at traffic lights, luggage at airports, shoppers lingering around merchandise on
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