Description: The DMZ ecology project reveals the Smithsonian’s commitment to ecological research programs as well as the complexity and contingency of an international collaboration.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: A look at taxidermist turned conservationist William Temple Hornaday's "Extermination Series" highlighting the environmental impact of man on North American mammals.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: Link Love: a weekly post with links to interesting videos and stories about archival issues, technology and culture, and Washington D.C. and American history.
Description: In a world drowning in images, where we swipe past photos of friends, relatives, and selves in mere seconds, a set of remarkable portraits taken in the 1910s and 1920s by Julian Papin Scott (1877-1961) deserve more considered attention. Sometimes, his subjects appear immersed in work, surrounded by microscopes, beakers, or stacks of books, as if unaware of the photographer.
Description: Pupper, doggy, hound, bowwow, beastie, pooch. No matter what we call dogs, they have always been man’s best friend. In honor of writing a second blog for National Dog Day, let’s take a look at the pooches that pop up around the Smithsonian Institution.[view:sia_slideshow==87224]Related Resources"Gone But Not Forgotten: Former Animals at the National Zoo," The Bigger Picture"Me
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: There is a remarkable figure in the Smithsonian’s history that doesn’t get much of the spotlight; Thomas W. Smillie. He served as the Smithsonian’s first official photographer from 1870 until his death in 1917, and additionally became the Smithsonian’s first photography curator in 1896. Smillie amassed a collection of photographic equipment starting with the purchase of the
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