Description: [caption id="attachment_3084" align="aligncenter" width="300" caption="President Obama conducts interviews in the Map Room 3/30/09. Official White House Photo by Pete Souza."][/caption] Some photographs, instead of illustrating the news, are designed to make news. Given the speed at which photographic images can be distributed, the audiences they reach, and the attention they
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes
Description: While we at the Photography Initiative like to argue that photography changes everything, it’s not always the case. On June 2nd, in a controversial ninth inning call, baseball umpire Jim Joyce denied Detroit Tigers’ pitcher Armando Galarraga a shot at making history for pitching a “perfect” game. Joyce—from his point of view behind first base—saw a batter hit a ball, make it
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: At SPI, we were sad to learn that Jessie Cohen died earlier this week. Jessie was one of the photographic mainstays at the Smithsonian; she started working at the Smithsonian National Zoo in 1979, photographing animals, their living quarters, and behind-the-scenes events for exhibition, education, and marketing purposes. In addition, Jessie also managed the Zoo’s exhibition
Description: [caption id="" align="aligncenter" width="400" caption="Marey Wheel Photographs of Unidentified Model, with Eadweard Muybridge Notations, by Thomas Eakins, 1884, Hirshhorn Museum and Sculpture Garden."][/caption] Please be aware that some of the photographs included in links within this post may contain graphic and emotionally disturbing material. Which are more powerful,
Description: Traditionally, when families gather for end-of-the-year holiday events, reminiscences are shared, new photos and videos get made, and/or old snapshots, home movies, and memories resurface. And while most family narratives are revisited in intimate settings, around kitchen tables or in living rooms, a handful may reach broader audiences, through one set of circumstances or