Description: Recently, I read some interesting news about the National Public Radio blog, “The Picture Show,” that explores photographic images and issues.
Description: [caption id="" align="aligncenter" width="420" caption="Heard Museum Gift Shop, by Daniel Greene, Creative Commons: Attribution 2.0."][/caption] [caption id="" align="alignright" width="216" caption="Slide Carousel: Loading Slides into the Carousel 5, by rosefirerising, Creative Commons: Attribution 2.0."][/caption] How does photography change the ways we look and learn about
Description: [caption id="" align="aligncenter" width="293" caption="Completed SA-2 missile site showing characteristic Star of David pattern, National Security Archive, The George Washington University"][/caption] Strangely beautiful surveillance photographs shot from an American U-2 spy plane triggered a terrifying nuclear standoff, The Cuban Missile Crisis in 1962. In a new click!
Description: [caption id="attachment_3084" align="aligncenter" width="300" caption="President Obama conducts interviews in the Map Room 3/30/09. Official White House Photo by Pete Souza."][/caption] Some photographs, instead of illustrating the news, are designed to make news. Given the speed at which photographic images can be distributed, the audiences they reach, and the attention they
Description: [caption id="" align="alignleft" width="181" caption="Edmonia Lewis, National Portrait Gallery"][/caption] In Kodak and the Lens of Nostalgia (2000), Nancy Martha West describes how the company—marketing the first box cameras in the 1890s—aggressively targeted female consumers, hoping they’d “see photography not only as a necessary component of domestic life but as an integral
Description: [caption id="attachment_3065" align="aligncenter" width="300" caption="Detail of a vinyl advertisement, Chennai, India, 2004, by Preminda Jacob."][/caption] It’s interesting to think about how shrewdly and often free still photography is used to get us to pay to watch motion pictures. Still photographs—often shot by special photographers on sound stages or on location, just
Description: [caption id="attachment_4140" align="aligncenter" width="296" caption="Auguste Deter, Alois Alzheimer's patient in November 1901, first described patient with Alzheimer's Disease, courtesy of Wikimedia Commons."][/caption] From the moment we began to conceptualize the content of click!, it became obvious that we’d need to investigate photography’s relation to memory from a
Description: [caption id="attachment_4184" align="aligncenter" width="300" caption="Obama Billboard in Times Square, New York, January 7, 2010, Courtesy of Marvin Heiferman."][/caption] Both the media and Times Square were aflutter recently over a photograph of President Obama used without permission on a huge two-sided billboard in midtown Manhattan to advertise men’s coats.
Description: While the economy may be perking up, the recession we’re still climbing out of has made one thing clear; if you need to earn a living, you’ve got to think entrepreneurially. Read enough success stories about former executives who’ve become cupcake moguls and a path becomes clear: take the dreams and skills you have, along with whatever compelling back story you can point to
Description: Look at enough photographs and it’s inevitable that, at some point, you’ll find yourself pondering mortality and photography’s relationship to death. Because the medium so effectively captures fragments of lives, events, and data that have come and gone, you’re always looking at and trying to make sense of something that’s over, finished, part of the past. Writers—particularly
Description: [caption id="" align="aligncenter" width="360" caption="Eraser, by Sarah McKenzie, Creative Commons: Attribution 2.0."][/caption] An interesting story surfaced about a week ago, concerning an over-eager defense lawyer anxiously seeking to expunge not only governmental, but media archives, too, of potentially damaging information or previously published articles about a number