Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
Description: [caption id="attachment_1641" align="alignnone" width="400" caption="why? dia doscientos catorce, by Flickr member, Andrea"][/caption] Last weekend, I was working, editing a short essay about the rise of “citizen journalism” by Fred Ritchin, author of the recently published After Photography, which we’ll be uploading soon on click! photography changes everything.
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: [caption id="" align="alignleft" width="181" caption="Edmonia Lewis, National Portrait Gallery"][/caption] In Kodak and the Lens of Nostalgia (2000), Nancy Martha West describes how the company—marketing the first box cameras in the 1890s—aggressively targeted female consumers, hoping they’d “see photography not only as a necessary component of domestic life but as an integral
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes