Description: The Smithsonian’s Field Book Project is a continuous fount of work for both our digitization crew here at the Archives and for me as the conservator in charge of the project’s physical needs. Over the past several weeks I have worked on a variety of field books with different structures and treatment requirements, and will share a few of the most common features I’ve seen in
Description: Though a large part of our collections are flat—that is, they are unbound materials as opposed to bound, three-dimensional objects—a significant group of our holdings do live in bindings and book structures (some of my previous blog contributions have dealt with books, but none with as great a degree of intervention). Treating a field book became more complicated—and more
Description: So you want to be a conservator? In this continuation of our series on career advice, one of our conservators shares some advice for those looking to explore the professional field of cultural heritage conservation.
Description: In honor of Veteran's Day we talk a look at how a recently discovered newspaper illustrated how information was spread/kept secret during World War II.