Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: [caption id="" align="aligncenter" width="448" caption="Temperance Parade, Church of the Nazarene, Medora, Illinois, photographer unknown, real-photo postcard, 1908, Courtesy of Luc Sante, 2009."][/caption] One of the thrills of seeing—when you stop to pay attention to it—is how complex and quickly the process of looking and making sense of what we see happens. According to
Description: Back in December, I wrote a post about Emory University’s efforts to make the writer Salman Rushdie’s digital files available to fans, researchers, and interested parties. A couple of days ago, I came across an interesting report about a gathering, an “unconference,” that was sponsored by the University of Virginia’s Albert and Shirley Small Special Collections Library, which
Description: [caption id="attachment_1356" align="aligncenter" width="251" caption="Tommy Dodgen, age 4, standing by the largest lamp in the world : Tampa, Florida, by unknown photographer, 1947, State Library and Archives of Florida, Commerce Collection."][/caption] The cover shot of Popular Science’s July issue, which focuses on the future of energy, uses some interesting new
Description: [caption id="" align="aligncenter" width="350" caption="Window Necklace, by Hoong Wei Long, Creative Commons: Attribution 2.0."][/caption] For those who continue to believe that bigger is better—that you’re better off, for example, the more megapixels your digital camera delivers—a recent article by Jordan Ellenberg in WIRED magazine suggests the opposite may be true.
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: [caption id="" align="aligncenter" width="385" caption="Games, by Axel Tregoning, Creative Commons: Attribution 2.0."][/caption] While some people seem to enjoy fantasizing about doomsday scenarios and the end of the “real” world, a recent piece on Ars Tehchnica’s website makes it clear that virtual worlds don’t last forever, either.
Description: [caption id="" align="alignleft" width="240" caption="I have no hours in the day to watch TV/games. Don't let life go by!!, by National Media Museum, Creative Commons: Attribution 2.0."][/caption] From 2002-2005, a unique archive of video tapes was compiled by the Center on Everyday Lives of Families (CELF) at UCLA, with the goal of studying a relatively new social
Description: [caption id="" align="aligncenter" width="400" caption="A Penmanship sign was located in Boerum Hill and was painted in 1997. It was a faux billboard created by Jerry Johnson of Orange Outdoor Advertising, Photo by Bosc d'Anjou, Creative Commons: Attribution 2.0 Generic."][/caption] A week or so ago, I was looking through documents scanned by the Smithsonian Institution
Description: We’ve all got storage issues to confront. And when we do, some people take great pleasure in getting things organized and others get headaches. A small percentage descend into madness, while an equally small group see and then seize the business opportunities that are generated by the need to keep life, things, and information under control. Over the past few weeks, the
Description: A few days ago, I went to an IMAX 3D showing of Avatar to see for myself if the movie is a “game-changer,” as many have suggested. And, it is, but in a way no one seems to be focusing on—the way it acknowledges and exploits photography’s power to shape both everyday and alternate realities. What struck me, as soon as the movie started, was how sophisticated the film’s