Description: [caption id="" align="aligncenter" width="385" caption="Games, by Axel Tregoning, Creative Commons: Attribution 2.0."][/caption] While some people seem to enjoy fantasizing about doomsday scenarios and the end of the “real” world, a recent piece on Ars Tehchnica’s website makes it clear that virtual worlds don’t last forever, either.
Description: [caption id="" align="aligncenter" width="400" caption="A Penmanship sign was located in Boerum Hill and was painted in 1997. It was a faux billboard created by Jerry Johnson of Orange Outdoor Advertising, Photo by Bosc d'Anjou, Creative Commons: Attribution 2.0 Generic."][/caption] A week or so ago, I was looking through documents scanned by the Smithsonian Institution
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
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