Description: When the names of certain cities are mentioned, photographic images of them pop into your head almost immediately. Washington = buildings on or near the mall. New York = skyscrapers of one sort or another. Paris = the Eiffel Tower. Tokyo = the Ginza shopping and entertainment district. With that thought in mind—and considering the multiple roles photography plays in shaping,
Description: In a storm of reporting, hundreds of articles published online and in print over the past couple of days, have focused attention on a story that touched on issues both photographic and archival.
Description: [caption id="" align="aligncenter" width="400" caption="Salman Rushdie's archives, featured in an Emory University publication, by Georgia Popplewell, Creative Commons: Attribution-NonCommercial-NoDerivs 2.0 Generic."][/caption] Back in October I talked—with great interest and at length—with Anne Van Camp, director of the Smithsonian Institution Archives, about the various
Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement
Description: [caption id="" align="aligncenter" width="403" caption="Untitled, 2001, by Susan Watts, Digital photograph, National Museum of American History, Behring Center, Division of Information Technology and Communications, Courtesy of Susan Watts/New York Daily News, Image No. watts012."][/caption] Given how quickly photographs are spread by the news and social media, we’ve come to
Description: [caption id="" align="alignleft" width="240" caption="I have no hours in the day to watch TV/games. Don't let life go by!!, by National Media Museum, Creative Commons: Attribution 2.0."][/caption] From 2002-2005, a unique archive of video tapes was compiled by the Center on Everyday Lives of Families (CELF) at UCLA, with the goal of studying a relatively new social
Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: [caption id="" align="aligncenter" width="237" caption="This is America...Keep it Free!, Dorothea Lange, 1942, National Museum of American History, Kenneth E. Behring Center, Archives Center."][/caption] More cameras in more places. A couple of weeks ago, I wrote about the installation of red light cameras and the controversy surrounding their use that’s continuing to spread
Description: [caption id="" align="aligncenter" width="400" caption="Graduating class from The Calverton School, Huntingtown, Maryland, by unidentified photographer, 1977, National Museum of American History, Behring Center, Archives Center"][/caption] "It’s kind of a bummer when you look so beautiful and somebody has the same exact one as you," says a high school senior quoted in a recent
Description: [caption id="" align="alignleft" width="251" caption="Photo of William F. Mack, Roentgenologist, by Margrethe Mather, 1922, National Museum of American History, Behring Center, Division of Information Technology and Communications"][/caption] Just how closely do radiologists look at what they’re supposed to be analyzing? Would knowing whose CT scans they were studying make
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