Description: When the names of certain cities are mentioned, photographic images of them pop into your head almost immediately. Washington = buildings on or near the mall. New York = skyscrapers of one sort or another. Paris = the Eiffel Tower. Tokyo = the Ginza shopping and entertainment district. With that thought in mind—and considering the multiple roles photography plays in shaping,
Description: [caption id="attachment_2114" align="aligncenter" width="240" caption="Flickr Photographer T-shirt with Flickr Badge, photo by Ritsa, from RobW_'s Flickr photostream."][/caption] Not only are photographs everywhere, but they’re on everything. And you, too, can contribute to the picture pile-up.
Description: [caption id="" align="aligncenter" width="448" caption="Temperance Parade, Church of the Nazarene, Medora, Illinois, photographer unknown, real-photo postcard, 1908, Courtesy of Luc Sante, 2009."][/caption] One of the thrills of seeing—when you stop to pay attention to it—is how complex and quickly the process of looking and making sense of what we see happens. According to
Description: [caption id="attachment_1954" align="aligncenter" width="300" caption="Squirrel Kisses, by Flickr user (Alex)."][/caption] It’s summer, so time for a break from serious thoughts about photographs, their meaning and impact. Instead, let’s relax and have a laugh about the pictures that make us laugh. A recent article in the business section of Time magazine describes how Ben
Description: [caption id="" align="aligncenter" width="360" caption="Eraser, by Sarah McKenzie, Creative Commons: Attribution 2.0."][/caption] An interesting story surfaced about a week ago, concerning an over-eager defense lawyer anxiously seeking to expunge not only governmental, but media archives, too, of potentially damaging information or previously published articles about a number
Description: [caption id="attachment_2376" align="aligncenter" width="300" caption="blurredvision, by Flickr user Paul Denton Cocker."][/caption] According to the National Eye Institute, more than 3 million Americans are blind or have vision so poor that everyday tasks become extremely difficult. Interestingly, according to a recent article by Pam Belluck in The New York Times, a new
Description: [caption id="attachment_2262" align="aligncenter" width="186" caption="Frankenstein by MARX!, by Flickr user TCM Hitchhiker."][/caption] For all the talk about creative seeing and the art of photography, the technical parameters of picture-taking and making have, for the most part, been defined by manufacturers of camera and photographic supplies. That wasn’t always the case;
Description: Look at enough photographs and it’s inevitable that, at some point, you’ll find yourself pondering mortality and photography’s relationship to death. Because the medium so effectively captures fragments of lives, events, and data that have come and gone, you’re always looking at and trying to make sense of something that’s over, finished, part of the past. Writers—particularly
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE. When I interviewed Lonnie Bunch, director of the Smithsonian’s National Museum of African American History and Culture, as part of the Smithsonian Photography Initiative’s online project click! photography changes
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.