Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: Jacob Kainen trained as a painter at Brooklyn's Pratt Institute and experimented with printmaking while employed in the graphics program of the Federal Art Project in the 1930's. Kainen, a member of the New York avant-garde in the 1930s, came to the Smithsonian in 1942 and served as graphic arts curator through the 1960's. His friendships in the New York art world assisted his
Description: Jeannine Smith Clark began forty seven years of involvement with the Smithsonian working as a volunteer docent at the National Museum of Natural History in 1968. Since then, she has served on the influential Smithsonian Women’s Committee and was appointed to the Board of Regents, where she served from 1983 to 1994. Jeannine Smith Clark worked with the Smithsonian for 47 years
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