Description: Bloggers on The Bigger Picture often describe how, in the course of their work, they come across intriguing archival objects and artifacts that trigger new insights into history. “Hands on” encounters with compelling evidence from the past are thrilling and can be provocative. But so can different sorts of encounters, including those that are driven by data, rather than
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: Across the Smithsonian, in hundreds of photographic collections, you’ll find images that document historic objects and events, species on land and under the oceans, cultural achievement, and data that streams in from outer space on a daily basis.
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
Description: The Smithsonian Institution Archives will be celebrating African American History Month throughout February with a series of related posts on THE BIGGER PICTURE.
Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: [caption id="" align="aligncenter" width="368" caption="Cybill Shepherd at the "Castle" during the filming of "Chances Are," where she plays an SI curator, 1988, by Jeff Tinsley, Photographic print, Smithsonian Institution Archives, Record Unit 371, Box 5, Negative Number: 88-10752-31. "][/caption] The frequency with which the words “curator” and “curating” pop up continues to
Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
Description: [caption id="" align="aligncenter" width="331" caption="14th Street and Broadway, NYC (man with goggles), 1947, by Louis Faurer, Smithsonian American Art Museum, Gift of anonymous donors, 2007.40.61 "][/caption] Earlier this month, Google introduced the Beta and Android-based version of the new and, for some, startling photo-based search feature they’ve calling Google Goggles.
Description: [caption id="" align="aligncenter" width="313" caption="Georgia O'Keefe at the Hirshhorn Museum and Sculpture Garden (HMSG) with Rene Magritte's sculpture "Delusions of Grandeur," 11 November 1977, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 371 Box 2 Folder December 1977, Negative Number: 92-1789."][/caption] It is always fascinating
Description: [caption id="attachment_2376" align="aligncenter" width="300" caption="blurredvision, by Flickr user Paul Denton Cocker."][/caption] According to the National Eye Institute, more than 3 million Americans are blind or have vision so poor that everyday tasks become extremely difficult. Interestingly, according to a recent article by Pam Belluck in The New York Times, a new