Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: [caption id="" align="aligncenter" width="237" caption="Georgia O'Keeffe, 1920, by Alfred Stieglitz, Photographic print, Archives of American Art, Local Number: AAA 440 (fr. 508)."][/caption] I confess, way back when as a student of American Modernism, I was never much interested in Georgia O’Keeffe. I was supposed to be. She was the lone, out-there, woman painter of America;