Description: So you want to be a conservator? In this continuation of our series on career advice, one of our conservators shares some advice for those looking to explore the professional field of cultural heritage conservation.
Description: As we teased earlier this spring in our Facebook Live event, last week Senior Conservator Nora Lockshin and I traveled to Houston, Texas, to share our work with conservation colleagues at the 46th annual meeting of the American Institute of Conservation (AIC). Our contributions centered around work with the Field Book Project, as did our Facebook Live.Another successful
Description: This spring, the Archives welcomed Heather Weiss, a Project SEARCH intern, and as her time with us comes to an end, we wanted to highlight her accomplishments.
Description: Handwriting is a personal passion of mine, despite it having become something of a lost art. Today, when most people think of handwriting at all, it is as a greatly individual method of writing recognizable characters, regardless of the writing system, but in the past, when you could make a living as a scribe, there were highly standardized styles.
Description: One of our recent projects, these photographic crayon enlargements, associated with founder of the National Zoo William Temple Hornaday, were made on sensitized paper that was then adhered to a linen “canvas” stretched around wooden frames. The paper had become brittle, and handling at some point in the past led to a number of punctures and tears through both the paper and the
Description: Nearly two years ago, I first heard of a course on the conservation of Japanese paper co-organized by ICCROM, the cultural heritage arm of UNESCO, and the Tokyo National Research Institute for Cultural Properties (also known in Japanese as “Tobunken”). Over three weeks, the course offered a first-hand look at the traditional Japanese conservation techniques, materials, and
Description: It’s Preservation Week - see what conservation staff at the Smithsonian Institution Archives are doing to contribute to preservation-mindedness.
Description: Readers of The Bigger Picture will be familiar with the Hungerford Deed, a 1787 property contract dividing a lucrative land inheritance between the mother and aunt of the Smithsonian’s founding donor, James Smithson. Over the last three years I have been able to take a deep dive into the content of the Deed and strengthen our understanding of Smithson’s choice to leave his
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