Description: The 19th century was a transformative time for the natural sciences. New discoveries didn't just happen in an armchair. Scientists adventured into unfamiliar territory by land and sea on expeditions, and their new findings fed new theories. Groups like the Columbian Institute for the Promotion of Arts and Sciences and the National Academy of Sciences formalized America's place
Description: We’ve learned so much about the specific women of James Smithson’s family though the Hungerford Deed—but what can it tell us about women’s rights in the eighteenth century?
Description: Dr. Margaret S. Collins became a renowned expert in multiple areas of termite zoololgy during her almost 50-year career as a scientist and professor.
Description: During this Women’s History Month, the Smithsonian Transcription Center has been highlighting projects from women around the Smithsonian. Among these women is Margaret Collins, a pioneering scientist and civil rights activist. While her fieldwork has been written about previously, that is clearly just one part of a full and distinguished career.Collins’ interest in science
Description: Spectacular natural events, like eclipses, have long been the bread-and-butter of science journalism. Science Service, too, succumbed to the lure of combining colorful, firsthand descriptions with technical explanations.
Description: As one of the first women to work in scientific illustration at the Smithsonian, Violet Dandridge made her mark at the United States National Museum.
Description: After successfully completing his 1925 European business trip, 29-year-old Watson Davis headed home on the S.S. Republic, boarding at Cherbourg, France, on October 2. The science journalist had covered the annual meeting of the British Association for the Advancement of Science and discussed with Sir Richard Gregory (Editor of the journal Nature) the plausibility of
Description: Opening on April 6, 2018, A box of ten photographs highlights the portfolio of Diane Arbus, an American photographer known for her black-and-white images of marginalized individuals, including the mentally ill, circus performers, and transgender people. The exhibition, at the Smithsonian American Art Museum (SAAM) until January 21, 2019, traces the history of Arbus's
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