Description: Artists are often among the researchers who comb through archives in search of inspiration and content. A few years back in 2008, an encyclopedic exhibition, Archive Fever, presented at the International Center of Photography in New York, presented works by leading contemporary artists who have made active use of archival images, documents, and methodology to explore the ways
Description: At SPI, we were sad to learn that Jessie Cohen died earlier this week. Jessie was one of the photographic mainstays at the Smithsonian; she started working at the Smithsonian National Zoo in 1979, photographing animals, their living quarters, and behind-the-scenes events for exhibition, education, and marketing purposes. In addition, Jessie also managed the Zoo’s exhibition
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: [caption id="" align="alignleft" width="251" caption="Photo of William F. Mack, Roentgenologist, by Margrethe Mather, 1922, National Museum of American History, Behring Center, Division of Information Technology and Communications"][/caption] Just how closely do radiologists look at what they’re supposed to be analyzing? Would knowing whose CT scans they were studying make
Description: [caption id="attachment_1641" align="alignnone" width="400" caption="why? dia doscientos catorce, by Flickr member, Andrea"][/caption] Last weekend, I was working, editing a short essay about the rise of “citizen journalism” by Fred Ritchin, author of the recently published After Photography, which we’ll be uploading soon on click! photography changes everything.
Description: [caption id="attachment_3320" align="aligncenter" width="300" caption="The Haggard Family II, February 2005, courtesy of Sandy Puc’ and the Now I Lay Me Down to Sleep Foundation."][/caption] When we began work on click!, it seemed obvious that somehow, someway, we’d have to find someone to explore how photography impacts our encounters with death. Many writers about
Description: [caption id="attachment_4140" align="aligncenter" width="296" caption="Auguste Deter, Alois Alzheimer's patient in November 1901, first described patient with Alzheimer's Disease, courtesy of Wikimedia Commons."][/caption] From the moment we began to conceptualize the content of click!, it became obvious that we’d need to investigate photography’s relation to memory from a
Description: [caption id="" align="aligncenter" width="350" caption="Privacy And Control, by Michael Pickard, Creative Commons: Attribution 2.0."][/caption] It’s a sign of the times that we’re being watched often and everywhere. Surveillance, a word that once summoned up all things intrusive and sneaky, is part of everyday lexicon and experience.
Description: [caption id="attachment_7871" align="alignleft" width="187" caption="A rendering of the AT&T Building, now the SONY Building, in New York, recently purchased by the Victoria & Albert Museum from a newly discovered cache of material from the Philip Johnson’s architectural practice. Photo courtesy Capelin Communications.
Description: Traditionally, when families gather for end-of-the-year holiday events, reminiscences are shared, new photos and videos get made, and/or old snapshots, home movies, and memories resurface. And while most family narratives are revisited in intimate settings, around kitchen tables or in living rooms, a handful may reach broader audiences, through one set of circumstances or
Description: A few days ago, I went to an IMAX 3D showing of Avatar to see for myself if the movie is a “game-changer,” as many have suggested. And, it is, but in a way no one seems to be focusing on—the way it acknowledges and exploits photography’s power to shape both everyday and alternate realities. What struck me, as soon as the movie started, was how sophisticated the film’s
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