Description: At the 1996 Festival of American Folklife, Smithsonian staff and volunteers conducted oral history interviews with colleagues about their memories of working for the Smithsonian. To celebrate the Smithsonian’s 175th anniversary, we’re sharing clips from three of those interviews.
Description: I cannot, I feel, have any regrets about my accomplishments. What comes from art will just come. I don’t feel any need to strive. - John N. Robinson One of my favorite parts of working in an archive is the opportunity to immerse myself in other people’s worlds, to learn more about their stories and experiences. One such person I encountered recently was John N. Robinson, a
Description: Ruth B. MacManus and Gertrude Brown bonded over their heavy workloads and shared experiences as working women in the Great Depression. Together, they helped improve a publication that does not bear their names: the Smithsonian Scientific Series.
Description: [caption id="" align="aligncenter" width="422" caption="Mounted Cyanotypes, the Working Proofs for Eadweard Muybridge's Animal Locomotion, Plate 55, "Walking, Turning Around, Action of Aversion" (Miss Larrigan, July 28, 1885), by Eadweard Muybridge, Cyanotype, National Museum of American History, Kenneth E. Behring Center, Division of Information Technology and Communications,
Description: There is a remarkable figure in the Smithsonian’s history that doesn’t get much of the spotlight; Thomas W. Smillie. He served as the Smithsonian’s first official photographer from 1870 until his death in 1917, and additionally became the Smithsonian’s first photography curator in 1896. Smillie amassed a collection of photographic equipment starting with the purchase of the
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