Description: [caption id="attachment_541" align="alignleft" width="144" caption="Inscription inside Lincoln's watch, by Hugh Talman, 2009, National Museum of American History"][/caption] Does photography always report on the past? Recently, as part of the Lincoln Bicentennial celebration, the Smithsonian took a closer look at a rare Lincoln object that possessed a secret message.
Description: This is the final part in a three-part series of blog posts about a research project on treating fire-affected optical discs. In this final post, we’ll summarize our research and outline possible next steps.
Description: [caption id="attachment_11498" align="aligncenter" width="360" caption="Out of The Depths, or, the Triumph of the Cross by Nellie Arnold Plummer. AHC 2003.0025.1, in its custom clamshell box after full conservation (inset: before treatment condition), Courtesy Nora Lockshin and Anacostia Community Museum."][/caption] The Smithsonian Institution Archives will be
Description: The story of the damage context and advanced treatment of a Stivenson Magloire painting broken into fragments by the 2010 Haiti earthquake.
Description: Sometimes the research process reveals more than an answer to a single question. This is the story of the Smithsonian bison that inspired the “Buffalo Bill.”
Description: Have a little fun with images from our collections that have been designated as open access. Anyone can now download, transform, share, and reuse millions of images as part of Smithsonian Open Access.
Description: DAY Without ArtSince 1989, December 1 has been observed as Day Without Art, coinciding with World AIDS Day.December 1 is the Day Without Art, coinciding with World AIDS Day. Join us as we explore how the Smithsonian has “celebrate[d] the lives and achievements of lost colleagues and friends.”
Description: Friday, September 15th, 2017 marks the 50th Anniversary of the opening of the Anacostia Community Museum. Originally named the Anacostia Neighborhood Museum, Secretary Ripley envisioned this as a place to reach out to black residents of Washington, DC who were not seeing themselves in the museums on the Mall. Reporting on the opening of the museum, Secretary Ripley writes that
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