Description: [caption id="" align="aligncenter" width="403" caption="Untitled, 2001, by Susan Watts, Digital photograph, National Museum of American History, Behring Center, Division of Information Technology and Communications, Courtesy of Susan Watts/New York Daily News, Image No. watts012."][/caption] Given how quickly photographs are spread by the news and social media, we’ve come to
Description: [caption id="attachment_4178" align="alignleft" width="206" caption="Levi Hill often photographed color lithographic prints, mostly European images, when attempting to perfect his Hillotype color process. This print of a girl and small animal shows his achievement in capturing natural colors on a daguerreotype plate, circa 1851-56."][/caption] Excepting the 8% of males and
Description: [caption id="" align="aligncenter" width="448" caption="Temperance Parade, Church of the Nazarene, Medora, Illinois, photographer unknown, real-photo postcard, 1908, Courtesy of Luc Sante, 2009."][/caption] One of the thrills of seeing—when you stop to pay attention to it—is how complex and quickly the process of looking and making sense of what we see happens. According to
Description: [caption id="attachment_7261" align="alignleft" width="430" caption="Advertisement on Fifth Avenue in New York City, 2010, Photo courtesy of Marvin Heiferman."][/caption] You’ve probably noticed, in recent years, that in order to attract shoppers’ attention retail establishments have been filling both exterior and interior display spaces with big, colorful, and evocative
Description: [caption id="" align="aligncenter" width="350" caption="Beauty is forever, by Just Warr, Creative Commons: Attribution 2.0 Generic."][/caption] At THE BIGGER PICTURE, we often write about the challenges of maintaining the data in digital archives. But a recent article bundled in the informative daily arts newsletter compiled by Jeff Weiss—you can subscribe by sending a request
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