Description: [edan-image:id=siris_arc_287602,size=250,left]As a child in England in the 1930s, Oliver Sacks enjoyed playing with his Uncle Abe’s spinthariscope. It was, he would later recall, “a beautifully simple instrument, consisting of a fluorescent screen and a magnifying eyepiece, and inside, an infinitesimal speck of radium.We take a look at the spinthariscope at the Smithsonian.
Description: For six seasons, beginning in 1984, the television series Smithsonian World opened new windows on the research and scientists at the Smithsonian Institution.
Description: For forty years, Miss Helena Weiss kept the Smithsonian running smoothly as a clerk, stenographer, director of the Office of Correspondence and Documents, and Registrar. When she retired, her position was divided into seven separate jobs.
Description: How Transcription Center themes open connections for Smithsonian Archives' collections that create relatedness, unveil stories, and ask new questions.
Description: Rube Goldberg, the subject of a 1970 exhibition at the National Museum of American History, produced thousands of drawings and comic strips, as well as, films, photographs, and over-the-top machines. A true celebrity in his time, Goldberg set standards in political cartooning and contributed to the development of thousands of extravagant and entertaining contraptions that have
Description: Many of us read, write and send emails every day, but when did it all start at the Smithsonian? In 1980 Smithsonian staff had typewriters and telephones on their desk, with one or two FAX machines per office. The Smithsonian operated a single general purpose computer, the Honeywell mainframe, for all Smithsonian data processing applications and which did not include an email
Description: As a remarkable auction of artifacts of a bygone aristocratic world takes place, we look at a surprising connection between Mary, Duchess of Roxburghe and the Smithsonian’s founding benefactor, James Smithson
Description: The story of the damage context and advanced treatment of a Stivenson Magloire painting broken into fragments by the 2010 Haiti earthquake.