Description: [edan-image:id=siris_arc_308449,size=250,left]Though Roxie Laybourne may be a well-known topic here in the Smithsonian Institution Archives, there is a good reason she is so popular. From good advice to her pioneering career to modern day inspiration, her work offers new insight each time we turn to it. Laybourne’s interest in natural history began long before she began her
Description: [caption id="" align="aligncenter" width="349" caption="Washington, D.C. 1975, from the series Archaeological Series, 6 Inch Contour Gauge, 1975, by Kenneth Josephson, Gelatin silver print on paper, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.828."][/caption] In 1981, the Smithsonian American Art Museum (at the time it was named
Description: The intense efforts that started the Field Book Project and have kept it in high gear are slowing down to a sustainable pace. After almost ten years, grant funding for the Field Book Project has drawn to a close, but there is still plenty more to look forward to that will benefit researchers for years to come.
Description: Periodically—given the fleeting nature of life and the ubiquity of photographic imagery—it’s seems like someone’s always trying to hatch another ambitious image-based cultural project to prove that, despite our differences, we’re pretty all much the same.
Description: Many of us read, write and send emails every day, but when did it all start at the Smithsonian? In 1980 Smithsonian staff had typewriters and telephones on their desk, with one or two FAX machines per office. The Smithsonian operated a single general purpose computer, the Honeywell mainframe, for all Smithsonian data processing applications and which did not include an email
Description: [caption id="" align="aligncenter" width="370" caption="Square House, Man, Child, and Dog on Lawn, ca. 1855, by Unknown photographer, Daguerreotype with applied color (1/2 plate), Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.234."][/caption] Often we are
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