Description: Yesterday, we celebrated MayDay2019 by reviewing the contents of Nora’s PRICE team go-bag, which you can explore in this Facebook Live, courtesy of the Foundation for the Advancement of Conservation!This MayDay post comes to you at a time when cultural heritage disasters on a mass scale are fresh in people’s minds. Paying attention to high visibility events offers opportunity
Description: [caption id="" align="alignleft" width="219" caption="Unidentified Washington, DC Church, 1919, by Martin A. Gruber, Black-and-white photographic print, Smithsonian Institution Archives, Martin A. Gruber Photograph Collection, 1919-1924, RU007355."][/caption] Recently the Smithsonian Institution Archives posted some images from the Martin A. Gruber Photograph Collection,
Description: [caption id="attachment_8083" align="aligncenter" width="336" caption="The mysterious cabinet of curiosities with assorted film cameras perched on top, 2010, by Michael Barnes, SIA."][/caption] Last fall a piece of furniture showed up in the Smithsonian Institution Archives (SIA) reception area. Aside from a few nicks, it is a large, handsome cabinet with drawers and double
Description: On June 16, 2006, Smithsonian’s Anacostia Community Museum changed its name for the third time, signaling a renewed focus on local Black history and beyond.
Description: Everyone loves a parade – especially one followed by a banquet. When scientists and politicians met in Washington, D.C., on November 23, 1936, to celebrate the centennial of the U.S. patent system, they listened first to a conventional program of speeches. Then, in the afternoon, Science Service director Watson Davis arranged something different: a “Research Parade” featuring
Description: Behind the archivists, technicians, and specialists of the museum field are an abundance of organizations that network ideas, connect professionals, and present new strategies to broaden the impact of museums (American Alliance of Museums, Society of American Archivists, etc.). Many associations focus on specific aspects of this dynamic field and help to push museum practice
Description: Marie Malaro, 1933-2018, entered law in 1957 when few women were admitted to the bar, and then taught generations of museum professionals how law and ethics applied to their work every day.
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