Description: Meredith Smith Diggs was employed at the Smithsonian in different capacities and was closely associated with the second Secretary of the Smithsonian, Spencer Fullerton Baird. Through Diggs' correspondence we can get a small glimpse of his life and work at the Smithsonian.
Description: “Can a Rattlesnake hypnotize a Pine Mouse to death”? Questions from a typical day of treatment for a Pre-Program Paper Conservation Intern.
Description: This summer, have a little fun with images from our collections that have been designated as open access. Anyone can now download, transform, share, and reuse millions of images as part of Smithsonian Open Access.
Description: We’re taking a look at the various watercolors the Smithsonian Institution has collected both past and present, highlighting the diversity in artists, technique, unique painting effect, and versatility to create anything from insects to cityscapes.
Description: Birds of a feather flock together, especially if they are a pair of patriotic turkeys who took up residency at the Smithsonian's National Zoo.
Description: Read a brief history of the gelatin dry plate negative and learn about the work being done at the Smithsonian Institution Archives to preserve this glass plate negative photographic format.
Description: [edan-image:id=siris_sic_9668,size=200,left]The Art Room, a greatly scaled down successor to the Smithsonian’s original 1857 Gallery of Art, is located on the second floor of the Smithsonian Building (the Castle). It was designed in 1899 by the architectural firm Hornblower and Marshall to house the Smithsonian’s collection of prints and drawings. When the room was first
Description: How Smithsonian entomologist Harrison Dyar's field notes, now available on the Smithsonian Transcription Center, are improving present-day research done by Smithsonian Resident Research Associate Dr. Jorge Santiago-Blay.
Description: A daily photo highlight from Smithsonian collections. [caption id="" align="aligncenter" width="430" caption="Balloon show project director Roger Pineau holds the end of a liner as exhibits specialists Ben Snouffer (partially hidden) and Bob Klinger make the final adjustments for the suspension of a 32 & 1/2 - foot World War II Japanese attack balloon in the Arts and
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