Description: Though photographs are accepted as subjective but ultimately faithful visual reproductions of reality, in many instances they don’t correspond to our experience. Pupils don’t regularly glint red, and people don’t transform into the streaked, evanescent smears we so often witness in photos. Yet we have no trouble accepting these inconsistencies, knowing that taking a picture of
Description: [caption id="attachment_1433" align="aligncenter" width="263" caption="Outdated kodachrome '73, '79, '83, by Goodimages."][/caption] Recently, Kodak announced it was discontinuing production of Kodachrome products. Known for its vibrant color, Kodachrome, was a child of the Depression, a process invented by two musicians—violinist Leopold Godowski Jr. and pianist Leopold
Description: The Smithsonian Institution Archives releases a new feature on their website which enables their finding aids to be marked up with available digitized media.
Description: For six seasons, beginning in 1984, the television series Smithsonian World opened new windows on the research and scientists at the Smithsonian Institution.
Description: It would be hard to imagine stepping into a Smithsonian museum today and not seeing a single camera. Digital cameras and smart phones with cameras are so completely a part of today’s museum-going experience that - unless a flash goes off in your face – you probably wouldn’t notice the camera next to you. However, in 1938, you would have seen a very different sight. On August
Description: A couple of years ago, in the process of curating Now is Then, an exhibition for the Newark Museum, I spent some time researching and thinking about the content, meaning and sequential lives of snapshots. Since their introduction in the late 19th century, inestimable numbers of those small, but powerful pictures have been made, looked at and saved—at least for a while.
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