Description: [caption id="" align="aligncenter" width="350" caption="Window Necklace, by Hoong Wei Long, Creative Commons: Attribution 2.0."][/caption] For those who continue to believe that bigger is better—that you’re better off, for example, the more megapixels your digital camera delivers—a recent article by Jordan Ellenberg in WIRED magazine suggests the opposite may be true.
Description: [caption id="" align="aligncenter" width="350" caption="Photo shoebox upset, by Stephen Cummings, Creative Commons: Attribution 2.0."][/caption] I recently took a position as photograph archivist at the Smithsonian Institution Archives and hope to be able to share through this blog some of the processes we are undertaking to make our photographic collections more useful and
Description: [caption id="attachment_2262" align="aligncenter" width="186" caption="Frankenstein by MARX!, by Flickr user TCM Hitchhiker."][/caption] For all the talk about creative seeing and the art of photography, the technical parameters of picture-taking and making have, for the most part, been defined by manufacturers of camera and photographic supplies. That wasn’t always the case;
Description: [caption id="attachment_827" align="aligncenter" width="242" caption="Spacecraft Hubble: Hubble in Flight, 2007, NASA"][/caption] Throughout May and June, we are inviting people throughout the Smithsonian to talk about photography and astronomy. Welcome Joseph Caputo, intern at the Smithsonian Magazine. In April 1990, the Hubble Space Telescope was dropped off 353 miles above
Description: [caption id="attachment_3939" align="aligncenter" width="300" caption="Prehistoric paintings, Lascaux caves, France. Photo courtesy of Prof saxx, Wikimedia Commons."][/caption] Roger Shattuck, teacher, writer, and cultural critic (The Banquet Years, his study of turn of the 20th century French avant-garde stands as one of the best cultural histories ever produced), once wrote
Description: [caption id="" align="aligncenter" width="336" caption="Uncle Beazley being unloaded at the Smithsonian’s Office of Exhibits Central model shop, February 2011, Courtesy of Office of Exhibits Central blog."][/caption] Even dinosaurs need their baths… The Office of Exhibits Central gives a behind-the-scenes peek into the dino maintenance of Uncle Beazley—the Smithsonian’s
Description: As one of the first women to work in scientific illustration at the Smithsonian, Violet Dandridge made her mark at the United States National Museum.
Description: As one can expect, the complexity of digital video provides a few more factors to track and assess when compared with analog moving image counterparts in the archive.
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