Description: [caption id="" align="aligncenter" width="425" caption="The package containing the Hope Diamond is presented to Smithsonian Secretary Dr. Leonard Carmichael, The donor, Harry Winston, shipped the diamond through the regular United States Postal Service via first-class mail; the postage cost him $2.44, plus $142.85 for $1 million dollars worth of insurance, November 10, 1958,
Description: [caption id="" align="aligncenter" width="291" caption="Men working in the Taxidermy Shop in the South Shed, One man is working on a skeleton which is on the table in front of him, Date unknown, by Unidentified photographer, Photographic print, Smithsonian Institution Archives, Record Unit 95 Box 28 Folder 31-A, Negative Number: 6068."][/caption]
Description: [caption id="" align="aligncenter" width="430" caption="The Apollo 11 Command Module just fitting through the doors of the Arts and Industries Building as it is being moved out to go to the soon to open National Air and Space Museum, August 26, 1975, by Richard Farrar, Photographic print, Smithsonian Institution Archives, Record Unit 95 Box 32 Folder 32, Negative Number:
Description: [caption id="" align="aligncenter" width="414" caption=""Voyager," the first aircraft to fly around the world without landing or refueling, is being lifted into place in the south gallery of the National Air and Space Museum (NASM), The craft, which has a wingspan of 108 feet, was separated into five sections and transported from the Paul E. Garber Facility in Suitland,
Description: Learn about the Smithsonian Institution Archive photographer, Michael Barnes, and his experience photographing Tuskegee Airmen and one of their original training planes.
Description: Before Uncle Beazley, the popular life-size model of a triceratops, made its way to its final destination at the Smithsonian’s National Zoo, he stopped at a couple other destinations around the Institution.
Description: Do you still work with 3.5-inch diskettes? How about 5.25-inch floppy disks and Zip disks? I do. As an electronic records archivist at the Smithsonian Institution Archives, I spend most of my time working with digital information to help ensure it will be accessible in 5, 25, or even 100 years from now. Born-digital materials arrive at the archives in a variety of ways (CDs,