Description: John Waters’s 1998 movie Pecker is the coming-of-age story about a young man who can’t stop himself from taking pictures. “Man, everything always looks good through here!” Pecker exclaims, squinting through his viewfinder and throughout most of the film, it does. Photography is all about looking, and when it was time to invite someone to address the subject of voyeurism for
Description: In honor of MayDay – Do One Thing for Emergency Preparedness, 2014, here is an item of interest about a new group at the Smithsonian called Preparation and Response in Collections Emergencies (PRICE) and resources on Incident Command in emergencies for cultural heritage organizations.
Description: While teleworking for the last year, the Archives has been busy capturing web content that documents the Smithsonian’s response to the COVID-19 pandemic.
Description: This is the latest post in our series on career advice for the aspiring archives professionals. Each edition features information and career advice from a different member of the Archives team, regarding what they do, how they got here, and how you can too. Check out our previous posts, and don’t be afraid to let us know who you would like to hear from next!The Archives has
Description: An employee of the Smithsonian since 1975, Michael Barnes is one of a select group of photographers with the responsibility of documenting the history of the Smithsonian.1 Pragmatic and passionate about photography, he worked his way up from the Smithsonian’s print shop and taught himself the art of taking pictures. An employee of the Smithsonian since 1975, Michael Barnes is
Description: Annette A. Aiello Smithsonian Institution Archives Oral History Collection, SIA009624When she was twenty-eight years old, Smithsonian Tropical Research Institute (STRI) staff scientist Annette Aiello (1941-) picked up a copy of Gray’s Manual of Botany to identify plants she photographed; that book changed her life. And the rest is history.As a young girl, Aiello felt
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