Description: [caption id="" align="aligncenter" width="350" caption="Privacy And Control, by Michael Pickard, Creative Commons: Attribution 2.0."][/caption] It’s a sign of the times that we’re being watched often and everywhere. Surveillance, a word that once summoned up all things intrusive and sneaky, is part of everyday lexicon and experience.
Description: The DMZ ecology project reveals the Smithsonian’s commitment to ecological research programs as well as the complexity and contingency of an international collaboration.
Description: I was reading one of Holland Cotter’s reviews of an art exhibition in the New York Times a couple of weeks ago, when I came across a description of a show that was about to close and wished I’d been able to see. At a space run by the Esopus Foundation, Bob Warner, a New York artist and optician, was opening, one box at a time, the cartons of material that another artist, Ray
Description: They say a picture is worth a thousand words. If that’s true, some of Dr. Waldo LaSalle Schmitts field books are worth tens of thousands of words.
Description: [caption id="" align="aligncenter" width="251" caption="Untitled, 1890, by Thomas Smillie, Cyanotype, Smithsonian Institution Archives, Thomas Smillie Collection (Record Unit 95), Image ID: RU95_Box77_0021."][/caption] It’s inevitable. Whenever someone tries to recount or evoke photography’s impact on visual culture when Daguerreotypes were introduced in 1839, a statement