Description: [caption id="" align="aligncenter" width="341" caption="Storage cases in the Paleontology Laboratory in the National Museum of Natural History on January 15, 1911, by Unidentified photographer, Photographic print, Smithsonian Institution Archives Record Unit 79 Box 9 Folder 6, Negative Number: 24046."][/caption]
Description: [caption id="" align="aligncenter" width="426" caption="Helen Stephens is checking jewelry at National Museum of History and Technology Museum Shop, 1975, by Unknown photographer, Photographic print, Smithsonian Institution Archives, Record Unit 371, Box 2, Negative Number: 75-9071-8."][/caption]
Description: [caption id="attachment_13490" align="aligncenter" width="428" caption="Installation of the Jose de Rivera sculpture, "Infinity," in front of the Museum of History and Technology, now the National Museum of American History, 1967, by Unidentified photographer, Photographic negative, Smithsonian Institution Archives, Negative number: OPA-1020.16"][/caption]
Description: The Smithsonian National Zoo, Conservation Biology Institute's Chief Veterinarian, Dr. Copper Aitken-Palmer, specializes in giant panda reproduction, health, and conservation. #Groundbreaker
Description: Curator of African American History and Culture at the Smithsonian National Museum of American History, Fath Davis Ruffins, is a specialist in ethnic imagery in popular culture, the history of advertising, and the origins of ethnic museums on the National Mall. #Groundbreaker
Description: Materials scientist Dr. Odile Madden, Smithsonian Museum Conservation Institute, studies the role of polymer-plasticizer interaction in plastic degradation and the characterization and reverse engineering of historic plastic artifacts. #Groundbreaker
Description: Astrophysicist Dr. Catherine Espaillat, Smithsonian Astrophysical Observatory, performs multi-wavelength analysis of full disks, pre-transitional disks, and transitional disks with the goal of expanding our knowledge of planet-forming disks.
Description: [view:sia_slideshow==71908]By the late 1960s, curators at the National Museum of History and Technology (NMHT), now the National Museum of American History, were focusing on how to present aspects of the American experience to visitors of the museum in different ways. Instead of using "sterile techniques which have too frequently given visitors the false impression that all
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