Description: Did you know that the Smithsonian Institution has been collecting “specimens” related to the history of photography since photography was still considered a new technology? Learn about the evolution of our photography collection!
Description: [caption id="" align="alignleft" width="150" caption="Ralph Waldo Emerson, between 1860 and 1870, by J. W. Black & Co., Photographic print on carte-de-visite mount, Abbott Handerson Thayer and Thayer family papers, 1851-1999 bulk 1881-1950, Archives of American Art, Digital ID: 5677. "][/caption] From the beginning, photography upset conventional ideas about the relationship
Description: [caption id="" align="aligncenter" width="172" caption="The Steiner Ambrotype, June 18, 1857, by Unidentified photographer, Ambrotype, National Air and Space Museum, Image ID: 2001-5358. "] [/caption] [caption id="" align="alignright" width="190" caption="First Launch from Cape Canaveral, Florida, July 24, 1950, by U.S. Air Force, Gelatin silver print, National Air and Space
Description: A few days ago, I went to an IMAX 3D showing of Avatar to see for myself if the movie is a “game-changer,” as many have suggested. And, it is, but in a way no one seems to be focusing on—the way it acknowledges and exploits photography’s power to shape both everyday and alternate realities. What struck me, as soon as the movie started, was how sophisticated the film’s
Description: Vernacular photography is the latest type of photography to be discovered by museums. Postcards, collected by Walker Evans (but still, postcards), have just been exhibited by the Metropolitan Museum of Art, and a tintype exhibition just closed at the International Center of Photography in New York, another exhibit of snapshots was seen at the National Gallery of Art.
Description: Mary Ellen McCaffrey was a powerhouse with the Smithsonian’s Office of Printing and Photographic Services from 1972 until her retirement in 1995. As production control officer, she ensured that the photo orders submitted to the office were processed and completed. Sometimes, those jobs meant the office was required to make reproduction negatives. In other instances, staff
Description: [caption id="attachment_13094" align="aligncenter" width="404" caption="Jefferson Memorial Cherry Blossoms at the Tidal Basin, 1983, by Jeff Tinsley, Color slide, Smithsonian Institution Archives, Negative Number 83-4105."][/caption] Today, we’re starting a new weekly feature that highlights images from the Archives’ historic Smithsonian Photographic Services collection.
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