Description: May 11 is the anniversary of establishment of the White House Office of Science and Technology Policy (OSTP). That 1976 legislation further ratified the influence of scientists on national policy, positioning them to provide ready advice to the President.
Description: In the U.S. Department of Agriculture (USDA) Office of Exhibits, Margaret Jane Russell Roller (1888-1973) had begun to specialize in fabricating lifelike wax models of food and animals.
Description: As editor E. E. Slosson began setting up the Science Service news office, his mail was flooded with inquiries from potential contributors. Writers and photographers described their accomplishments and submitted samples of their work. One such letter, from Albert Harlingue on April 13, 1921, must have piqued Slosson’s interest, for it coincided with the Washington visit of “a
Description: For six seasons, beginning in 1984, the television series Smithsonian World opened new windows on the research and scientists at the Smithsonian Institution.
Description: Each Smithsonian Institution Archives collection has a life story. That narrative, much like the biography of a person, can explain how a collection's photographs, letters, and documents relate to each other. Closer inspection may also reveal hidden connections to other archival materials and can help in identifying photographers and writers. This new blog series will turn a
Description: Everyone loves a parade – especially one followed by a banquet. When scientists and politicians met in Washington, D.C., on November 23, 1936, to celebrate the centennial of the U.S. patent system, they listened first to a conventional program of speeches. Then, in the afternoon, Science Service director Watson Davis arranged something different: a “Research Parade” featuring
Description: In a world drowning in images, where we swipe past photos of friends, relatives, and selves in mere seconds, a set of remarkable portraits taken in the 1910s and 1920s by Julian Papin Scott (1877-1961) deserve more considered attention. Sometimes, his subjects appear immersed in work, surrounded by microscopes, beakers, or stacks of books, as if unaware of the photographer.