Description: Here at the Smithsonian we love to observe. So of course on August 23, 2011, at 1:51 PM, when a 5.8 magnitude earthquake shook the Washington, DC region and many of us with it, we immediately started to observe what happened and how we could document it. As the Institution's historians, inevitably we needed to know, had this happened before and what were the effects? After
Description: Before Uncle Beazley, the popular life-size model of a triceratops, made its way to its final destination at the Smithsonian’s National Zoo, he stopped at a couple other destinations around the Institution.
Description: In mid-19th century America, some believed that world-class discoveries came exclusively from Europe. But early Smithsonian leaders had a sense of urgency to disseminate an authoritative body of knowledge, pursue further discoveries, and provide a deeper understanding to the public at a time when American society was changing.
Description: Each week, the Archives features a woman who has been a groundbreaker at the Smithsonian, past or present, in a series titled Wonderful Women Wednesday.
Description: This post originally appeared on the National Museum of Natural History's blog, Unearthed.Who would think that behind the west wall of NMNH's paleontology hall is a painting of a goddess that created a sensation when installed in 1910? Some of you who visited the museum fifty years ago may remember the captivating Diana of the Tides as she surveyed the hall.Diana was painted
Description: Each Smithsonian Institution Archives collection has a life story. That narrative, much like the biography of a person, can explain how a collection's photographs, letters, and documents relate to each other. Closer inspection may also reveal hidden connections to other archival materials and can help in identifying photographers and writers. This new blog series will turn a
Description: Since our move to Smithsonian Institution Support Center, in the fall of 2015, the Archives have been able to work on longer-term projects using the photographic negatives stored in our cold storage vault. One of these projects is systematically scanning the collection of glass plate negatives from the United States National Museum, Division of Graphic Arts Photograph
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